Egla, 80 - Revision history

https://wikisaga.hi.is/index.php?action=history&feed=atom&title=Egla%2C_80 Egla, 80 - Revision history 2026-04-05T19:28:55Z Revision history for this page on the wiki MediaWiki 1.42.3 https://wikisaga.hi.is/index.php?title=Egla,_80&diff=8848&oldid=prev Jón Karl Helgason at 16:48, 12 November 2018 2018-11-12T16:48:26Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 16:48, 12 November 2018</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l495">Line 495:</td> <td colspan="2" class="diff-lineno">Line 495:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In generous wise,<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In generous wise,<br></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>None with hard jest,<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>None with hard jest,<br></div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>None with rude jeer,<ref>'''None with rude jeer''': <del style="font-weight: bold; text-decoration: none;">lsewhere</del>, however, we find Egil movingly honoring his friends, and especially his great friend Arinbjorn, and not just for being successful Vikings. He honors them for qualities we too would admire-generosity, openness, concern for others-all qualities, therefore, that he and his peers must have wanted to be remembered for." [[Von Nolcken, Christina. Egil Skallagrimsson and the Viking Ideal]] (n.p.).</ref<br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>None with rude jeer,<ref>'''None with rude jeer''': <ins style="font-weight: bold; text-decoration: none;">"Elsewhere</ins>, however, we find Egil movingly honoring his friends, and especially his great friend Arinbjorn, and not just for being successful Vikings. He honors them for qualities we too would admire-generosity, openness, concern for others-all qualities, therefore, that he and his peers must have wanted to be remembered for." [[Von Nolcken, Christina. Egil Skallagrimsson and the Viking Ideal]] (n.p.).</ref<br></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>None with his axe-hand<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>None with his axe-hand<br></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Ungifted hie.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Ungifted hie.</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1054">Line 1,054:</td> <td colspan="2" class="diff-lineno">Line 1,054:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>úr legvers <br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>úr legvers <br></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>löngum knerri <br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>löngum knerri <br></div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>háði leiddr<ref>'''háði leiddr''': <del style="font-weight: bold; text-decoration: none;">lsewhere</del>, however, we find Egil movingly honoring his friends, and especially his great friend Arinbjorn, and not just for being successful Vikings. He honors them for qualities we too would admire-generosity, openness, concern for others-all qualities, therefore, that he and his peers must have wanted to be remembered for." [[Von Nolcken, Christina. Egil Skallagrimsson and the Viking Ideal]] (e.b.).</ref><br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>háði leiddr<ref>'''háði leiddr''': <ins style="font-weight: bold; text-decoration: none;">"Elsewhere</ins>, however, we find Egil movingly honoring his friends, and especially his great friend Arinbjorn, and not just for being successful Vikings. He honors them for qualities we too would admire-generosity, openness, concern for others-all qualities, therefore, that he and his peers must have wanted to be remembered for." [[Von Nolcken, Christina. Egil Skallagrimsson and the Viking Ideal]] (e.b.).</ref><br></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>né heiftkviðum <br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>né heiftkviðum <br></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>með atgeirs <br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>með atgeirs <br></div></td></tr> </table>

Jón Karl Helgason https://wikisaga.hi.is/index.php?title=Egla,_80&diff=8847&oldid=prev Jón Karl Helgason at 16:47, 12 November 2018 2018-11-12T16:47:23Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 16:47, 12 November 2018</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l495">Line 495:</td> <td colspan="2" class="diff-lineno">Line 495:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In generous wise,<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In generous wise,<br></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>None with hard jest,<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>None with hard jest,<br></div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>None with rude jeer,<br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>None with rude jeer,<ins style="font-weight: bold; text-decoration: none;"><ref>'''None with rude jeer''': lsewhere, however, we find Egil movingly honoring his friends, and especially his great friend Arinbjorn, and not just for being successful Vikings. He honors them for qualities we too would admire-generosity, openness, concern for others-all qualities, therefore, that he and his peers must have wanted to be remembered for." [[Von Nolcken, Christina. Egil Skallagrimsson and the Viking Ideal]] (n.p.).</ref</ins><br></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>None with his axe-hand<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>None with his axe-hand<br></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Ungifted hie.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Ungifted hie.</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1054">Line 1,054:</td> <td colspan="2" class="diff-lineno">Line 1,054:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>úr legvers <br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>úr legvers <br></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>löngum knerri <br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>löngum knerri <br></div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>háði leiddr <br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>háði leiddr<ins style="font-weight: bold; text-decoration: none;"><ref>'''háði leiddr''': lsewhere, however, we find Egil movingly honoring his friends, and especially his great friend Arinbjorn, and not just for being successful Vikings. He honors them for qualities we too would admire-generosity, openness, concern for others-all qualities, therefore, that he and his peers must have wanted to be remembered for." [[Von Nolcken, Christina. Egil Skallagrimsson and the Viking Ideal]] (e.b.).</ref></ins><br></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>né heiftkviðum <br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>né heiftkviðum <br></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>með atgeirs <br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>með atgeirs <br></div></td></tr> </table>

Jón Karl Helgason https://wikisaga.hi.is/index.php?title=Egla,_80&diff=8804&oldid=prev Jón Karl Helgason at 11:13, 8 November 2018 2018-11-08T11:13:17Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 11:13, 8 November 2018</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l275">Line 275:</td> <td colspan="2" class="diff-lineno">Line 275:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>1.<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>1.<br></div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>'For generous prince<ref>'''For generous prince'': "Cela dit, que Snorri Sturluson ait « composé » Egla n’a rien d’invraissemblable : il descendait d’Egill ; à partir de 1201, il vécut à Borg comme Egill près de trois siècles plus tôt ; comme lui, il est des Mýrarmenn et connaît parfaitement toutes les traditions du Borgarfjördr. En somme, il est chez lui là où a grandi et vécu longtemps l’auteur de l’Arinbjarnarkvida." [[Boyer, Régis. Notice]] (p. 1509).</ref><br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>'For generous prince<ref>'''For generous prince<ins style="font-weight: bold; text-decoration: none;">'</ins>'': "Cela dit, que Snorri Sturluson ait « composé » Egla n’a rien d’invraissemblable : il descendait d’Egill ; à partir de 1201, il vécut à Borg comme Egill près de trois siècles plus tôt ; comme lui, il est des Mýrarmenn et connaît parfaitement toutes les traditions du Borgarfjördr. En somme, il est chez lui là où a grandi et vécu longtemps l’auteur de l’Arinbjarnarkvida." [[Boyer, Régis. Notice]] (p. 1509).</ref><br></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Swift praise I find,<ref>'''Swift praise I find''': "Egil boasts</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Swift praise I find,<ref>'''Swift praise I find''': "Egil boasts</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>about […] being able to compose swiftly. Ease and swiftness, not least the originality of the artistic creation, are tokens of the high-rank poet. Egil’s stanza is never […] circumscribed or tendentially circular [… but] elastic and movable. The discourse</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>about […] being able to compose swiftly. Ease and swiftness, not least the originality of the artistic creation, are tokens of the high-rank poet. Egil’s stanza is never […] circumscribed or tendentially circular [… but] elastic and movable. The discourse</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l865">Line 865:</td> <td colspan="2" class="diff-lineno">Line 865:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>poems move in time, they let air filter in between [the verses] and display their previous</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>poems move in time, they let air filter in between [the verses] and display their previous</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>and later stage, their solutions and their premises." [[Koch, Ludovica. Gli scaldi]] (s. 111-12).</ref> <br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>and later stage, their solutions and their premises." [[Koch, Ludovica. Gli scaldi]] (s. 111-12).</ref> <br></div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>hilmi at mæra,<ref>'''hilmi at mæra'': "Cela dit, que Snorri Sturluson ait « composé » Egla n’a rien d’invraissemblable : il descendait d’Egill ; à partir de 1201, il vécut à Borg comme Egill près de trois siècles plus tôt ; comme lui, il est des Mýrarmenn et connaît parfaitement toutes les traditions du Borgarfjördr. En somme, il est chez lui là où a grandi et vécu longtemps l’auteur de l’Arinbjarnarkvida." [[Boyer, Régis. Notice]] (s. 1509).</ref> <br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>hilmi at mæra,<ref>'''hilmi at mæra<ins style="font-weight: bold; text-decoration: none;">'</ins>'': "Cela dit, que Snorri Sturluson ait « composé » Egla n’a rien d’invraissemblable : il descendait d’Egill ; à partir de 1201, il vécut à Borg comme Egill près de trois siècles plus tôt ; comme lui, il est des Mýrarmenn et connaît parfaitement toutes les traditions du Borgarfjördr. En somme, il est chez lui là où a grandi et vécu longtemps l’auteur de l’Arinbjarnarkvida." [[Boyer, Régis. Notice]] (s. 1509).</ref> <br></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>en glapmáll <br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>en glapmáll <br></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>um glöggvinga, <br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>um glöggvinga, <br></div></td></tr> </table>

Jón Karl Helgason https://wikisaga.hi.is/index.php?title=Egla,_80&diff=8803&oldid=prev Jón Karl Helgason at 11:11, 8 November 2018 2018-11-08T11:11:19Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 11:11, 8 November 2018</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l275">Line 275:</td> <td colspan="2" class="diff-lineno">Line 275:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>1.<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>1.<br></div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>'For generous prince<br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>'For generous prince<ins style="font-weight: bold; text-decoration: none;"><ref>'''For generous prince'': "Cela dit, que Snorri Sturluson ait « composé » Egla n’a rien d’invraissemblable : il descendait d’Egill ; à partir de 1201, il vécut à Borg comme Egill près de trois siècles plus tôt ; comme lui, il est des Mýrarmenn et connaît parfaitement toutes les traditions du Borgarfjördr. En somme, il est chez lui là où a grandi et vécu longtemps l’auteur de l’Arinbjarnarkvida." [[Boyer, Régis. Notice]] (p. 1509).</ref></ins><br></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Swift praise I find,<ref>'''Swift praise I find''': "Egil boasts</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Swift praise I find,<ref>'''Swift praise I find''': "Egil boasts</div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>about […] being able to compose swiftly. Ease and swiftness, not least the originality of the artistic creation, are tokens of the high-rank poet. Egil’s stanza is never</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>about […] being able to compose swiftly. Ease and swiftness, not least the originality of the artistic creation, are tokens of the high-rank poet. Egil’s stanza is never […] circumscribed or tendentially circular [… but] elastic and movable. The discourse</div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[…] circumscribed or tendentially circular [… but] elastic and movable. The discourse</div></td><td colspan="2" class="diff-side-added"></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>develops in a cascade from the thread of semantic- and sound-associations, while being</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>develops in a cascade from the thread of semantic- and sound-associations, while being</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>hastened by the enjambements and barely restrained by reservations and doubts. Egil’s</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>hastened by the enjambements and barely restrained by reservations and doubts. Egil’s</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l866">Line 866:</td> <td colspan="2" class="diff-lineno">Line 865:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>poems move in time, they let air filter in between [the verses] and display their previous</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>poems move in time, they let air filter in between [the verses] and display their previous</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>and later stage, their solutions and their premises." [[Koch, Ludovica. Gli scaldi]] (s. 111-12).</ref> <br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>and later stage, their solutions and their premises." [[Koch, Ludovica. Gli scaldi]] (s. 111-12).</ref> <br></div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>hilmi at mæra, <br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>hilmi at mæra,<ins style="font-weight: bold; text-decoration: none;"><ref>'''hilmi at mæra'': "Cela dit, que Snorri Sturluson ait « composé » Egla n’a rien d’invraissemblable : il descendait d’Egill ; à partir de 1201, il vécut à Borg comme Egill près de trois siècles plus tôt ; comme lui, il est des Mýrarmenn et connaît parfaitement toutes les traditions du Borgarfjördr. En somme, il est chez lui là où a grandi et vécu longtemps l’auteur de l’Arinbjarnarkvida." [[Boyer, Régis. Notice]] (s. 1509).</ref> </ins><br></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>en glapmáll <br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>en glapmáll <br></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>um glöggvinga, <br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>um glöggvinga, <br></div></td></tr> </table>

Jón Karl Helgason https://wikisaga.hi.is/index.php?title=Egla,_80&diff=8796&oldid=prev Jón Karl Helgason at 16:14, 6 November 2018 2018-11-06T16:14:02Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 16:14, 6 November 2018</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l17">Line 17:</td> <td colspan="2" class="diff-lineno">Line 17:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Then said Egil, 'You do well, daughter, in that you will follow your father. Great love have you shown to me. What hope is there that I shall wish to live with this grief?'<ref>'''live with this grief''': "Völu-Steinn og Egill heyja helstríð af harmi eftir syni sína […] Um áhrif Landnámu á Egils sögu […] mætti spyrja hvort það sé ekki einmitt frásögnin af Völu-Steini sem haft hefur áhrif á sköpun frásagnarinnar um harm Egils. Sonatorrek hefur þá orðið til í hrifnæmum huga þess sem þekkti til Ögmundardrápu" [[Baldur Hafstað. HSk, Landnáma og Egils saga]] (p. 32).</ref> After this they were silent awhile. Then Egil spoke: 'What is it now, daughter? You are chewing something, are you not?' 'I am chewing samphire,'<ref> '''I am chewing samphire''': "Hér er... líklegast fyrsta tilvitnun um sölvaát í fornsögum okkar, og má ætla að sú matarvenja hafi fluttst hingað með landnámsmönnum... [Söl voru] snar þáttur í fæðuöflun landsmanna, en þó var bundið landshlutum, hélst svo gegnum aldir, en fór minnkandi og lagðist alveg af í byrjun þessarar aldar." [[Sigurður Samúelsson. Sjúkdómar og dánarmein íslenskra fornmanna]] (p. 263).</ref><ref> '''samphire''': "Eine von Islands essbaren Tangarten, deren Beschaffenheit aber damals wohl noch nicht allgemein bekannt war." [[Glückselig, Anton Thormod. Skaldenlieder aus der Egils-Saga]] (p. 183). </ref> said she, 'because I think it will do me harm. Otherwise I think I may live too long.' 'Is samphire bad for man?' said Egil. 'Very bad,' said she; 'will you eat some?'<ref>'''will you eat some''': "C´est ainsi qu´elle mâche des algues pour avoir une raison de faire apporter de l´eau. [...] Mais ce n'est pas uniquement de la mort physique qu´elle le sauve. Si on considère qu'Egill est chrétien, [...], elle est aussi en train de le sauver d'un péché qui menace son salut éternel: le désespoir." [[Torfi H. Tulinius. Le statut théologique d‘Egill Skalla-Grímsson]] (p. 285).</ref> 'Why should I not?' said he. A little while after she called and bade them give her drink. Water was brought to her. Then said Egil, 'This comes of eating samphire,<ref>'''This comes of eating samphire''': "“Den [Egils söl-replik] har en tydlig rytm, och dess allitterationer: slíkt-sölin, þrystir-þess är påtagliga. Repliken låter sig otvunget uppfatta som vers och arrangera som en helming i oklanderlig ljóðháttr med naturliga höjningar och allitterationer i både det inledande versparet och fullraden […] En replik lagd i Egils mun i form av en helming i ljóðháttr strax innan han gick att dikta sin odödliga Sonatorrek i kviðuháttr kan vara en rätt passande upptakt.” [[Salberger, Evert. Egils sol-replik före Sonatorrek]] (pp. 22-23).</ref> one ever thirsts the more.'<ref>''' This comes of eating samphire, one ever thirsts the more ''': "Egils sǫl-replik är således en oklanderlig helming i ljóðaháttr med korsvis allitteration enligt schemat a b a b i det inledande versparet och ett självständigt stavrimssystem c c i fullraden. Dold I släktsagans prosa röjer den klar versifikatorisk konstnärlighet." [[Salberger, Evert. Metrisk till Egils “söl”-replik]] (p. 32).</ref> 'Would you like a drink,<ref>'''Would you like a drink''': "Ef Egils saga hefur verið sögð í gildi, þar sem þekkt var táknmál kristinna launhelga, skilst flest í dæminu. Mjólk er þá tákn um endurfæðingu Egils. Hann er að segja skiljið við óargadýrið, hann er að bjóða velkomið manneðlið, læknislistina og skáldskaparíþróttina". [[Einar Pálsson. Bræður himins og Egils saga]] (p. 6).</ref> father?' said she. He took and swallowed the liquid in a deep draught: it was in a horn. Then said Thorgerdr: 'Now are we deceived;<ref>'''Now are we deceived''': "Speech acts count for a great deal in the sagas, as does, even more, the author’s economical use of direct speech, in which the act is made manifest. This is evident not least in the third scene, the prelude to the composition of “Sonatorrek”. The account has comic overtones that modern readers may find difficult to reconcile with Egill’s stifling, swelling grief, but here the saga-man seems to have adopted Egill’s own wry stance before old age and life’s losses." [[Sayers, William. Verbal Expedients and Transformative Utterances in Egils saga Skallagrímssonar]] (p. 179).</ref><ref>'''Now are we deceived''': „Elle déclare mâcher des algues pour hâter son trépas. [...] Sa fille le calme en lui suggérant de composer une élégie á la mémoire de son fils. [...] Cet épisode unit le tragique et le comique, tout en témoignant d´une sagesse sur les sentiments les intimes du coeur humain.“ [[Torfi H. Tulinius. La saga d’Egill et l’histoire du roman]] (p. 150).</ref> this is milk.'<ref>'''this is milk''': "Hafi Egill átt möguleika á eilífu lífi, þar sem hann var tekinn inn í samfélag kristinna manna með prímsigningunni, þá skipti máli að hann svelti sig ekki til bana, eins og hann ætlaði að gera eftir að eftirlætissonur hans Böðvar drukknaði í Borgarfirði. Þegar Þorgerður narraði Egil til að bergja af mjólkinni og stakk svo upp á því að hann semdi erfikvæði um son sinn, með þeirri afleiðingu að hann hætti við að deyja, var hún ekki aðeins að bjarga lífi hans heldur líka sál." [[Torfi H. Tulinius. Hjálpræði frá Egilsdætrum]] (p. 69).</ref> Whereat Egil bit a sherd out of the horn, all that his teeth gripped, and cast the horn down.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Then said Egil, 'You do well, daughter, in that you will follow your father. Great love have you shown to me. What hope is there that I shall wish to live with this grief?'<ref>'''live with this grief''': "Völu-Steinn og Egill heyja helstríð af harmi eftir syni sína […] Um áhrif Landnámu á Egils sögu […] mætti spyrja hvort það sé ekki einmitt frásögnin af Völu-Steini sem haft hefur áhrif á sköpun frásagnarinnar um harm Egils. Sonatorrek hefur þá orðið til í hrifnæmum huga þess sem þekkti til Ögmundardrápu" [[Baldur Hafstað. HSk, Landnáma og Egils saga]] (p. 32).</ref> After this they were silent awhile. Then Egil spoke: 'What is it now, daughter? You are chewing something, are you not?' 'I am chewing samphire,'<ref> '''I am chewing samphire''': "Hér er... líklegast fyrsta tilvitnun um sölvaát í fornsögum okkar, og má ætla að sú matarvenja hafi fluttst hingað með landnámsmönnum... [Söl voru] snar þáttur í fæðuöflun landsmanna, en þó var bundið landshlutum, hélst svo gegnum aldir, en fór minnkandi og lagðist alveg af í byrjun þessarar aldar." [[Sigurður Samúelsson. Sjúkdómar og dánarmein íslenskra fornmanna]] (p. 263).</ref><ref> '''samphire''': "Eine von Islands essbaren Tangarten, deren Beschaffenheit aber damals wohl noch nicht allgemein bekannt war." [[Glückselig, Anton Thormod. Skaldenlieder aus der Egils-Saga]] (p. 183). </ref> said she, 'because I think it will do me harm. Otherwise I think I may live too long.' 'Is samphire bad for man?' said Egil. 'Very bad,' said she; 'will you eat some?'<ref>'''will you eat some''': "C´est ainsi qu´elle mâche des algues pour avoir une raison de faire apporter de l´eau. [...] Mais ce n'est pas uniquement de la mort physique qu´elle le sauve. Si on considère qu'Egill est chrétien, [...], elle est aussi en train de le sauver d'un péché qui menace son salut éternel: le désespoir." [[Torfi H. Tulinius. Le statut théologique d‘Egill Skalla-Grímsson]] (p. 285).</ref> 'Why should I not?' said he. A little while after she called and bade them give her drink. Water was brought to her. Then said Egil, 'This comes of eating samphire,<ref>'''This comes of eating samphire''': "“Den [Egils söl-replik] har en tydlig rytm, och dess allitterationer: slíkt-sölin, þrystir-þess är påtagliga. Repliken låter sig otvunget uppfatta som vers och arrangera som en helming i oklanderlig ljóðháttr med naturliga höjningar och allitterationer i både det inledande versparet och fullraden […] En replik lagd i Egils mun i form av en helming i ljóðháttr strax innan han gick att dikta sin odödliga Sonatorrek i kviðuháttr kan vara en rätt passande upptakt.” [[Salberger, Evert. Egils sol-replik före Sonatorrek]] (pp. 22-23).</ref> one ever thirsts the more.'<ref>''' This comes of eating samphire, one ever thirsts the more ''': "Egils sǫl-replik är således en oklanderlig helming i ljóðaháttr med korsvis allitteration enligt schemat a b a b i det inledande versparet och ett självständigt stavrimssystem c c i fullraden. Dold I släktsagans prosa röjer den klar versifikatorisk konstnärlighet." [[Salberger, Evert. Metrisk till Egils “söl”-replik]] (p. 32).</ref> 'Would you like a drink,<ref>'''Would you like a drink''': "Ef Egils saga hefur verið sögð í gildi, þar sem þekkt var táknmál kristinna launhelga, skilst flest í dæminu. Mjólk er þá tákn um endurfæðingu Egils. Hann er að segja skiljið við óargadýrið, hann er að bjóða velkomið manneðlið, læknislistina og skáldskaparíþróttina". [[Einar Pálsson. Bræður himins og Egils saga]] (p. 6).</ref> father?' said she. He took and swallowed the liquid in a deep draught: it was in a horn. Then said Thorgerdr: 'Now are we deceived;<ref>'''Now are we deceived''': "Speech acts count for a great deal in the sagas, as does, even more, the author’s economical use of direct speech, in which the act is made manifest. This is evident not least in the third scene, the prelude to the composition of “Sonatorrek”. The account has comic overtones that modern readers may find difficult to reconcile with Egill’s stifling, swelling grief, but here the saga-man seems to have adopted Egill’s own wry stance before old age and life’s losses." [[Sayers, William. Verbal Expedients and Transformative Utterances in Egils saga Skallagrímssonar]] (p. 179).</ref><ref>'''Now are we deceived''': „Elle déclare mâcher des algues pour hâter son trépas. [...] Sa fille le calme en lui suggérant de composer une élégie á la mémoire de son fils. [...] Cet épisode unit le tragique et le comique, tout en témoignant d´une sagesse sur les sentiments les intimes du coeur humain.“ [[Torfi H. Tulinius. La saga d’Egill et l’histoire du roman]] (p. 150).</ref> this is milk.'<ref>'''this is milk''': "Hafi Egill átt möguleika á eilífu lífi, þar sem hann var tekinn inn í samfélag kristinna manna með prímsigningunni, þá skipti máli að hann svelti sig ekki til bana, eins og hann ætlaði að gera eftir að eftirlætissonur hans Böðvar drukknaði í Borgarfirði. Þegar Þorgerður narraði Egil til að bergja af mjólkinni og stakk svo upp á því að hann semdi erfikvæði um son sinn, með þeirri afleiðingu að hann hætti við að deyja, var hún ekki aðeins að bjarga lífi hans heldur líka sál." [[Torfi H. Tulinius. Hjálpræði frá Egilsdætrum]] (p. 69).</ref> Whereat Egil bit a sherd out of the horn, all that his teeth gripped, and cast the horn down.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Then spoke Thorgerdr: 'What counsel shall we take now? This our purpose is defeated.<del style="font-weight: bold; text-decoration: none;"><ref>'''our purpose is defeated''': „Elle déclare mâcher des algues pour hâter son trépas. [...] Sa fille le calme en lui suggérant de composer une élégie á la mémoire de son fils. [...] Cet épisode unit le tragique et le comique, tout en témoignant d´une sagesse sur les sentiments les intimes du coeur humain.“ [[Torfi H. Tulinius. La saga d’Egill et l’histoire du roman]] (p. 150).</ref> </del>Now I would fain, father, that we should lengthen our lives, so that you may compose a funeral poem<ref>'''compose a funeral poem''': "Geðrænar truflanir eiga sér þar ávallt rökræn tildrög, og lýsingar á ytra atferli þeirra samræmast nánar þeim klinisku myndum sem þekktar eru í geðlæknisfræðinni nú á dögum og gefa jafnframt vísbendingu um innra eðli þeirra [...]. Það er eftirtektarvert að [Þorgerður] viðhefur sams konar tilburði gagnvart Agli og nú á tímum þykja vænlegastir til árangurs í geðlækningum og eru í reyndinni forsenda þess að terapeutisk breyting eigi sér stað, þ.e. að sjúklingurinn losni við einkenni sín og verði aftur samur og jafn fyrir tilverknað meðferðarinnar." [[Jakob Jónasson. Aftur í aldir]] (pp. 27-28).</ref> on Bodvar, and I will grave it on a wooden roller; after that we can die, if we like. Hardly, I think, can Thorstein your son compose a poem on Bodvar; but it were unseemly that he should not have funeral rites. Though I do not think that we two shall sit at the drinking when the funeral feast is held.' Egil said that it was not to be expected that he could now compose,<ref>'''he could now compose:''' "Es ist nicht eine im Gedanken an englische Vorbilder ausgearbeitete Elegie, sondern ein poetischer Ausdruck der Gedanken und Empfindungen Egills, wie sie ihn an jenem Tage erfüllten." [[Unwerth, Wolf von. Zu Egills Sonatorrek]] (p. 174).</ref> though he were to attempt it. 'However, I will try this,'<ref>'''I will try this''': "the Sonatorrek [...] gives a clearer insight into the mind of Egill than any other of his poems, showing him as an affectionate, sensitive, lonely ageing man, and not the ruffianly bully which he sometimes appears to be in the Saga." [[Turville-Petre, Gabriel. The Sonatorrek]] (p. 36).</ref> said he.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Then spoke Thorgerdr: 'What counsel shall we take now? This our purpose is defeated. Now I would fain, father, that we should lengthen our lives, so that you may compose a funeral poem<ref>'''compose a funeral poem''': "Geðrænar truflanir eiga sér þar ávallt rökræn tildrög, og lýsingar á ytra atferli þeirra samræmast nánar þeim klinisku myndum sem þekktar eru í geðlæknisfræðinni nú á dögum og gefa jafnframt vísbendingu um innra eðli þeirra [...]. Það er eftirtektarvert að [Þorgerður] viðhefur sams konar tilburði gagnvart Agli og nú á tímum þykja vænlegastir til árangurs í geðlækningum og eru í reyndinni forsenda þess að terapeutisk breyting eigi sér stað, þ.e. að sjúklingurinn losni við einkenni sín og verði aftur samur og jafn fyrir tilverknað meðferðarinnar." [[Jakob Jónasson. Aftur í aldir]] (pp. 27-28).</ref> on Bodvar, and I will grave it on a wooden roller; after that we can die, if we like. Hardly, I think, can Thorstein your son compose a poem on Bodvar; but it were unseemly that he should not have funeral rites. Though I do not think that we two shall sit at the drinking when the funeral feast is held.' Egil said that it was not to be expected that he could now compose,<ref>'''he could now compose:''' "Es ist nicht eine im Gedanken an englische Vorbilder ausgearbeitete Elegie, sondern ein poetischer Ausdruck der Gedanken und Empfindungen Egills, wie sie ihn an jenem Tage erfüllten." [[Unwerth, Wolf von. Zu Egills Sonatorrek]] (p. 174).</ref> though he were to attempt it. 'However, I will try this,'<ref>'''I will try this''': "the Sonatorrek [...] gives a clearer insight into the mind of Egill than any other of his poems, showing him as an affectionate, sensitive, lonely ageing man, and not the ruffianly bully which he sometimes appears to be in the Saga." [[Turville-Petre, Gabriel. The Sonatorrek]] (p. 36).</ref> said he.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Egil had had another son named Gunnar, who had died a short time before.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Egil had had another son named Gunnar, who had died a short time before.</div></td></tr> </table>

Jón Karl Helgason https://wikisaga.hi.is/index.php?title=Egla,_80&diff=8795&oldid=prev Jón Karl Helgason at 16:12, 6 November 2018 2018-11-06T16:12:17Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 16:12, 6 November 2018</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l15">Line 15:</td> <td colspan="2" class="diff-lineno">Line 15:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>On the next day Egil still did not open the bed-closet: he had no meat or drink: there he lay for that day and the following night, no man daring to speak with him. But on the third morning, as soon as it was light, Asgerdr had a man set on horseback, who rode as hard as he could westwards to Hjardarholt, and told Thorgerdr all these tidings; it was about nones when he got there. He said also that Asgerdr had sent her word to come without delay southwards to Borg. Thorgerdr at once bade them saddle her a horse, and two men attended her. They rode that evening and through the night till they came to Borg. Thorgerdr went at once into the hall. Asgerdr greeted her, and asked whether they had eaten supper. Thorgerdr said aloud, 'No supper have I had, and none will I have till I sup with Freyja. I can do no better than does my father: I will not overlive my father and brother.' She then went to the bed-closet and called, 'Father, open the door! I will that we both travel the same road.' Egil undid the lock. Thorgerdr stepped up into the bed-closet, and locked the door again, and lay down on another bed that was there.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>On the next day Egil still did not open the bed-closet: he had no meat or drink: there he lay for that day and the following night, no man daring to speak with him. But on the third morning, as soon as it was light, Asgerdr had a man set on horseback, who rode as hard as he could westwards to Hjardarholt, and told Thorgerdr all these tidings; it was about nones when he got there. He said also that Asgerdr had sent her word to come without delay southwards to Borg. Thorgerdr at once bade them saddle her a horse, and two men attended her. They rode that evening and through the night till they came to Borg. Thorgerdr went at once into the hall. Asgerdr greeted her, and asked whether they had eaten supper. Thorgerdr said aloud, 'No supper have I had, and none will I have till I sup with Freyja. I can do no better than does my father: I will not overlive my father and brother.' She then went to the bed-closet and called, 'Father, open the door! I will that we both travel the same road.' Egil undid the lock. Thorgerdr stepped up into the bed-closet, and locked the door again, and lay down on another bed that was there.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Then said Egil, 'You do well, daughter, in that you will follow your father. Great love have you shown to me. What hope is there that I shall wish to live with this grief?'<ref>'''live with this grief''': "Völu-Steinn og Egill heyja helstríð af harmi eftir syni sína […] Um áhrif Landnámu á Egils sögu […] mætti spyrja hvort það sé ekki einmitt frásögnin af Völu-Steini sem haft hefur áhrif á sköpun frásagnarinnar um harm Egils. Sonatorrek hefur þá orðið til í hrifnæmum huga þess sem þekkti til Ögmundardrápu" [[Baldur Hafstað. HSk, Landnáma og Egils saga]] (p. 32).</ref> After this they were silent awhile. Then Egil spoke: 'What is it now, daughter? You are chewing something, are you not?' 'I am chewing samphire,'<ref> '''I am chewing samphire''': "Hér er... líklegast fyrsta tilvitnun um sölvaát í fornsögum okkar, og má ætla að sú matarvenja hafi fluttst hingað með landnámsmönnum... [Söl voru] snar þáttur í fæðuöflun landsmanna, en þó var bundið landshlutum, hélst svo gegnum aldir, en fór minnkandi og lagðist alveg af í byrjun þessarar aldar." [[Sigurður Samúelsson. Sjúkdómar og dánarmein íslenskra fornmanna]] (p. 263).</ref><ref> '''samphire''': "Eine von Islands essbaren Tangarten, deren Beschaffenheit aber damals wohl noch nicht allgemein bekannt war." [[Glückselig, Anton Thormod. Skaldenlieder aus der Egils-Saga]] (p. 183). </ref> said she, 'because I think it will do me harm. Otherwise I think I may live too long.' 'Is samphire bad for man?' said Egil. 'Very bad,' said she; 'will you eat some?'<ref>'''will you eat some''': "C´est ainsi qu´elle mâche des algues pour avoir une raison de faire apporter de l´eau. [...] Mais ce n'est pas uniquement de la mort physique qu´elle le sauve. Si on considère qu'Egill est chrétien, [...], elle est aussi en train de le sauver d'un péché qui menace son salut éternel: le désespoir." [[Torfi H. Tulinius. Le statut théologique d‘Egill Skalla-Grímsson]] (p. 285).</ref> 'Why should I not?' said he. A little while after she called and bade them give her drink. Water was brought to her. Then said Egil, 'This comes of eating samphire,<ref>'''This comes of eating samphire''': "“Den [Egils söl-replik] har en tydlig rytm, och dess allitterationer: slíkt-sölin, þrystir-þess är påtagliga. Repliken låter sig otvunget uppfatta som vers och arrangera som en helming i oklanderlig ljóðháttr med naturliga höjningar och allitterationer i både det inledande versparet och fullraden […] En replik lagd i Egils mun i form av en helming i ljóðháttr strax innan han gick att dikta sin odödliga Sonatorrek i kviðuháttr kan vara en rätt passande upptakt.” [[Salberger, Evert. Egils sol-replik före Sonatorrek]] (pp. 22-23).</ref> one ever thirsts the more.'<ref>''' This comes of eating samphire, one ever thirsts the more ''': "Egils sǫl-replik är således en oklanderlig helming i ljóðaháttr med korsvis allitteration enligt schemat a b a b i det inledande versparet och ett självständigt stavrimssystem c c i fullraden. Dold I släktsagans prosa röjer den klar versifikatorisk konstnärlighet." [[Salberger, Evert. Metrisk till Egils “söl”-replik]] (p. 32).</ref> 'Would you like a drink,<ref>'''Would you like a drink''': "Ef Egils saga hefur verið sögð í gildi, þar sem þekkt var táknmál kristinna launhelga, skilst flest í dæminu. Mjólk er þá tákn um endurfæðingu Egils. Hann er að segja skiljið við óargadýrið, hann er að bjóða velkomið manneðlið, læknislistina og skáldskaparíþróttina". [[Einar Pálsson. Bræður himins og Egils saga]] (p. 6).</ref> father?' said she. He took and swallowed the liquid in a deep draught: it was in a horn. Then said Thorgerdr: 'Now are we deceived;<ref>'''Now are we deceived''': "Speech acts count for a great deal in the sagas, as does, even more, the author’s economical use of direct speech, in which the act is made manifest. This is evident not least in the third scene, the prelude to the composition of “Sonatorrek”. The account has comic overtones that modern readers may find difficult to reconcile with Egill’s stifling, swelling grief, but here the saga-man seems to have adopted Egill’s own wry stance before old age and life’s losses." [[Sayers, William. Verbal Expedients and Transformative Utterances in Egils saga Skallagrímssonar]] (p. 179).</ref> this is milk.'<ref>'''this is milk''': "Hafi Egill átt möguleika á eilífu lífi, þar sem hann var tekinn inn í samfélag kristinna manna með prímsigningunni, þá skipti máli að hann svelti sig ekki til bana, eins og hann ætlaði að gera eftir að eftirlætissonur hans Böðvar drukknaði í Borgarfirði. Þegar Þorgerður narraði Egil til að bergja af mjólkinni og stakk svo upp á því að hann semdi erfikvæði um son sinn, með þeirri afleiðingu að hann hætti við að deyja, var hún ekki aðeins að bjarga lífi hans heldur líka sál." [[Torfi H. Tulinius. Hjálpræði frá Egilsdætrum]] (p. 69).</ref> Whereat Egil bit a sherd out of the horn, all that his teeth gripped, and cast the horn down.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Then said Egil, 'You do well, daughter, in that you will follow your father. Great love have you shown to me. What hope is there that I shall wish to live with this grief?'<ref>'''live with this grief''': "Völu-Steinn og Egill heyja helstríð af harmi eftir syni sína […] Um áhrif Landnámu á Egils sögu […] mætti spyrja hvort það sé ekki einmitt frásögnin af Völu-Steini sem haft hefur áhrif á sköpun frásagnarinnar um harm Egils. Sonatorrek hefur þá orðið til í hrifnæmum huga þess sem þekkti til Ögmundardrápu" [[Baldur Hafstað. HSk, Landnáma og Egils saga]] (p. 32).</ref> After this they were silent awhile. Then Egil spoke: 'What is it now, daughter? You are chewing something, are you not?' 'I am chewing samphire,'<ref> '''I am chewing samphire''': "Hér er... líklegast fyrsta tilvitnun um sölvaát í fornsögum okkar, og má ætla að sú matarvenja hafi fluttst hingað með landnámsmönnum... [Söl voru] snar þáttur í fæðuöflun landsmanna, en þó var bundið landshlutum, hélst svo gegnum aldir, en fór minnkandi og lagðist alveg af í byrjun þessarar aldar." [[Sigurður Samúelsson. Sjúkdómar og dánarmein íslenskra fornmanna]] (p. 263).</ref><ref> '''samphire''': "Eine von Islands essbaren Tangarten, deren Beschaffenheit aber damals wohl noch nicht allgemein bekannt war." [[Glückselig, Anton Thormod. Skaldenlieder aus der Egils-Saga]] (p. 183). </ref> said she, 'because I think it will do me harm. Otherwise I think I may live too long.' 'Is samphire bad for man?' said Egil. 'Very bad,' said she; 'will you eat some?'<ref>'''will you eat some''': "C´est ainsi qu´elle mâche des algues pour avoir une raison de faire apporter de l´eau. [...] Mais ce n'est pas uniquement de la mort physique qu´elle le sauve. Si on considère qu'Egill est chrétien, [...], elle est aussi en train de le sauver d'un péché qui menace son salut éternel: le désespoir." [[Torfi H. Tulinius. Le statut théologique d‘Egill Skalla-Grímsson]] (p. 285).</ref> 'Why should I not?' said he. A little while after she called and bade them give her drink. Water was brought to her. Then said Egil, 'This comes of eating samphire,<ref>'''This comes of eating samphire''': "“Den [Egils söl-replik] har en tydlig rytm, och dess allitterationer: slíkt-sölin, þrystir-þess är påtagliga. Repliken låter sig otvunget uppfatta som vers och arrangera som en helming i oklanderlig ljóðháttr med naturliga höjningar och allitterationer i både det inledande versparet och fullraden […] En replik lagd i Egils mun i form av en helming i ljóðháttr strax innan han gick att dikta sin odödliga Sonatorrek i kviðuháttr kan vara en rätt passande upptakt.” [[Salberger, Evert. Egils sol-replik före Sonatorrek]] (pp. 22-23).</ref> one ever thirsts the more.'<ref>''' This comes of eating samphire, one ever thirsts the more ''': "Egils sǫl-replik är således en oklanderlig helming i ljóðaháttr med korsvis allitteration enligt schemat a b a b i det inledande versparet och ett självständigt stavrimssystem c c i fullraden. Dold I släktsagans prosa röjer den klar versifikatorisk konstnärlighet." [[Salberger, Evert. Metrisk till Egils “söl”-replik]] (p. 32).</ref> 'Would you like a drink,<ref>'''Would you like a drink''': "Ef Egils saga hefur verið sögð í gildi, þar sem þekkt var táknmál kristinna launhelga, skilst flest í dæminu. Mjólk er þá tákn um endurfæðingu Egils. Hann er að segja skiljið við óargadýrið, hann er að bjóða velkomið manneðlið, læknislistina og skáldskaparíþróttina". [[Einar Pálsson. Bræður himins og Egils saga]] (p. 6).</ref> father?' said she. He took and swallowed the liquid in a deep draught: it was in a horn. Then said Thorgerdr: 'Now are we deceived;<ref>'''Now are we deceived''': "Speech acts count for a great deal in the sagas, as does, even more, the author’s economical use of direct speech, in which the act is made manifest. This is evident not least in the third scene, the prelude to the composition of “Sonatorrek”. The account has comic overtones that modern readers may find difficult to reconcile with Egill’s stifling, swelling grief, but here the saga-man seems to have adopted Egill’s own wry stance before old age and life’s losses." [[Sayers, William. Verbal Expedients and Transformative Utterances in Egils saga Skallagrímssonar]] (p. 179<ins style="font-weight: bold; text-decoration: none;">).</ref><ref>'''Now are we deceived''': „Elle déclare mâcher des algues pour hâter son trépas. [...] Sa fille le calme en lui suggérant de composer une élégie á la mémoire de son fils. [...] Cet épisode unit le tragique et le comique, tout en témoignant d´une sagesse sur les sentiments les intimes du coeur humain.“ [[Torfi H. Tulinius. La saga d’Egill et l’histoire du roman]] (p. 150</ins>).</ref> this is milk.'<ref>'''this is milk''': "Hafi Egill átt möguleika á eilífu lífi, þar sem hann var tekinn inn í samfélag kristinna manna með prímsigningunni, þá skipti máli að hann svelti sig ekki til bana, eins og hann ætlaði að gera eftir að eftirlætissonur hans Böðvar drukknaði í Borgarfirði. Þegar Þorgerður narraði Egil til að bergja af mjólkinni og stakk svo upp á því að hann semdi erfikvæði um son sinn, með þeirri afleiðingu að hann hætti við að deyja, var hún ekki aðeins að bjarga lífi hans heldur líka sál." [[Torfi H. Tulinius. Hjálpræði frá Egilsdætrum]] (p. 69).</ref> Whereat Egil bit a sherd out of the horn, all that his teeth gripped, and cast the horn down.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Then spoke Thorgerdr: 'What counsel shall we take now? This our purpose is defeated.<ref>'''our purpose is defeated''': „Elle déclare mâcher des algues pour hâter son trépas. [...] Sa fille le calme en lui suggérant de composer une élégie á la mémoire de son fils. [...] Cet épisode unit le tragique et le comique, tout en témoignant d´une sagesse sur les sentiments les intimes du coeur humain.“ [[Torfi H. Tulinius. La saga d’Egill et l’histoire du roman]] (p. 150).</ref> Now I would fain, father, that we should lengthen our lives, so that you may compose a funeral poem<ref>'''compose a funeral poem''': "Geðrænar truflanir eiga sér þar ávallt rökræn tildrög, og lýsingar á ytra atferli þeirra samræmast nánar þeim klinisku myndum sem þekktar eru í geðlæknisfræðinni nú á</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Then spoke Thorgerdr: 'What counsel shall we take now? This our purpose is defeated.<ref>'''our purpose is defeated''': „Elle déclare mâcher des algues pour hâter son trépas. [...] Sa fille le calme en lui suggérant de composer une élégie á la mémoire de son fils. [...] Cet épisode unit le tragique et le comique, tout en témoignant d´une sagesse sur les sentiments les intimes du coeur humain.“ [[Torfi H. Tulinius. La saga d’Egill et l’histoire du roman]] (p. 150).</ref> Now I would fain, father, that we should lengthen our lives, so that you may compose a funeral poem<ref>'''compose a funeral poem''': "Geðrænar truflanir eiga sér þar ávallt rökræn tildrög, og lýsingar á ytra atferli þeirra samræmast nánar þeim klinisku myndum sem þekktar eru í geðlæknisfræðinni nú á dögum og gefa jafnframt vísbendingu um innra eðli þeirra [...]. Það er eftirtektarvert að [Þorgerður] viðhefur sams konar tilburði gagnvart Agli og nú á tímum þykja vænlegastir til árangurs í geðlækningum og eru í reyndinni forsenda þess að terapeutisk breyting eigi sér stað, þ.e. að sjúklingurinn losni við einkenni sín og verði aftur samur og jafn fyrir tilverknað meðferðarinnar." [[Jakob Jónasson. Aftur í aldir]] (pp. 27-28).</ref> on Bodvar, and I will grave it on a wooden roller; after that we can die, if we like. Hardly, I think, can Thorstein your son compose a poem on Bodvar; but it were unseemly that he should not have funeral rites. Though I do not think that we two shall sit at the drinking when the funeral feast is held.' Egil said that it was not to be expected that he could now compose,<ref>'''he could now compose:''' "Es ist nicht eine im Gedanken an englische Vorbilder ausgearbeitete Elegie, sondern ein poetischer Ausdruck der Gedanken und Empfindungen Egills, wie sie ihn an jenem Tage erfüllten." [[Unwerth, Wolf von. Zu Egills Sonatorrek]] (p. 174).</ref> though he were to attempt it. 'However, I will try this,'<ref>'''I will try this''': "the Sonatorrek [...] gives a clearer insight into the mind of Egill than any other of his poems, showing him as an affectionate, sensitive, lonely ageing man, and not the ruffianly bully which he sometimes appears to be in the Saga." [[Turville-Petre, Gabriel. The Sonatorrek]] (p. 36).</ref> said he.</div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>dögum og gefa jafnframt vísbendingu um innra eðli þeirra [...]. Það er eftirtektarvert að [Þorgerður] viðhefur sams konar tilburði gagnvart Agli og nú á tímum þykja vænlegastir til árangurs í geðlækningum og eru í reyndinni forsenda þess að terapeutisk breyting eigi sér stað, þ.e. að sjúklingurinn losni við einkenni sín og verði aftur samur og jafn fyrir tilverknað meðferðarinnar." [[Jakob Jónasson. Aftur í aldir]] (pp. 27-28).</ref> on Bodvar, and I will grave it on a wooden roller; after that we can die, if we like. Hardly, I think, can Thorstein your son compose a poem on Bodvar; but it were unseemly that he should not have funeral rites. Though I do not think that we two shall sit at the drinking when the funeral feast is held.' Egil said that it was not to be expected that he could now compose,<ref>'''he could now compose:''' "Es ist nicht eine im Gedanken an englische Vorbilder ausgearbeitete Elegie, sondern ein poetischer Ausdruck der Gedanken und Empfindungen Egills, wie sie ihn an jenem Tage erfüllten." [[Unwerth, Wolf von. Zu Egills Sonatorrek]] (p. 174).</ref> though he were to attempt it. 'However, I will try this,'<ref>'''I will try this''': "the Sonatorrek [...] gives a clearer insight into the mind of Egill than any other of his poems, showing him as an affectionate, sensitive, lonely ageing man, and not the ruffianly bully which he sometimes appears to be in the Saga." [[Turville-Petre, Gabriel. The Sonatorrek]] (p. 36).</ref> said he.</div></td><td colspan="2" class="diff-side-added"></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Egil had had another son named Gunnar, who had died a short time before.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Egil had had another son named Gunnar, who had died a short time before.</div></td></tr> </table>

Jón Karl Helgason https://wikisaga.hi.is/index.php?title=Egla,_80&diff=8794&oldid=prev Jón Karl Helgason at 16:09, 6 November 2018 2018-11-06T16:09:20Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 16:09, 6 November 2018</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l15">Line 15:</td> <td colspan="2" class="diff-lineno">Line 15:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>On the next day Egil still did not open the bed-closet: he had no meat or drink: there he lay for that day and the following night, no man daring to speak with him. But on the third morning, as soon as it was light, Asgerdr had a man set on horseback, who rode as hard as he could westwards to Hjardarholt, and told Thorgerdr all these tidings; it was about nones when he got there. He said also that Asgerdr had sent her word to come without delay southwards to Borg. Thorgerdr at once bade them saddle her a horse, and two men attended her. They rode that evening and through the night till they came to Borg. Thorgerdr went at once into the hall. Asgerdr greeted her, and asked whether they had eaten supper. Thorgerdr said aloud, 'No supper have I had, and none will I have till I sup with Freyja. I can do no better than does my father: I will not overlive my father and brother.' She then went to the bed-closet and called, 'Father, open the door! I will that we both travel the same road.' Egil undid the lock. Thorgerdr stepped up into the bed-closet, and locked the door again, and lay down on another bed that was there.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>On the next day Egil still did not open the bed-closet: he had no meat or drink: there he lay for that day and the following night, no man daring to speak with him. But on the third morning, as soon as it was light, Asgerdr had a man set on horseback, who rode as hard as he could westwards to Hjardarholt, and told Thorgerdr all these tidings; it was about nones when he got there. He said also that Asgerdr had sent her word to come without delay southwards to Borg. Thorgerdr at once bade them saddle her a horse, and two men attended her. They rode that evening and through the night till they came to Borg. Thorgerdr went at once into the hall. Asgerdr greeted her, and asked whether they had eaten supper. Thorgerdr said aloud, 'No supper have I had, and none will I have till I sup with Freyja. I can do no better than does my father: I will not overlive my father and brother.' She then went to the bed-closet and called, 'Father, open the door! I will that we both travel the same road.' Egil undid the lock. Thorgerdr stepped up into the bed-closet, and locked the door again, and lay down on another bed that was there.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Then said Egil, 'You do well, daughter, in that you will follow your father. Great love have you shown to me. What hope is there that I shall wish to live with this grief?'<ref>'''live with this grief''': "Völu-Steinn og Egill heyja helstríð af harmi eftir syni sína […] Um áhrif Landnámu á Egils sögu […] mætti spyrja hvort það sé ekki einmitt frásögnin af Völu-Steini sem haft hefur áhrif á sköpun frásagnarinnar um harm Egils. Sonatorrek hefur þá orðið til í hrifnæmum huga þess sem þekkti til Ögmundardrápu" [[Baldur Hafstað. HSk, Landnáma og Egils saga]] (p. 32).</ref> After this they were silent awhile. Then Egil spoke: 'What is it now, daughter? You are chewing something, are you not?' 'I am chewing samphire,'<ref> '''I am chewing samphire''': "Hér er... líklegast fyrsta tilvitnun um sölvaát í fornsögum okkar, og má ætla að sú matarvenja hafi fluttst hingað með landnámsmönnum... [Söl voru] snar þáttur í fæðuöflun landsmanna, en þó var bundið landshlutum, hélst svo gegnum aldir, en fór minnkandi og lagðist alveg af í byrjun þessarar aldar." [[Sigurður Samúelsson. Sjúkdómar og dánarmein íslenskra fornmanna]] (p. 263).</ref><ref> '''samphire''': "Eine von Islands essbaren Tangarten, deren Beschaffenheit aber damals wohl noch nicht allgemein bekannt war." [[Glückselig, Anton Thormod. Skaldenlieder aus der Egils-Saga]] (p. 183). </ref> said she, 'because I think it will do me harm. Otherwise I think I may live too long.' 'Is samphire bad for man?' said Egil. 'Very bad,' said she; 'will you eat some?'<ref>'''will you eat some''': "C´est ainsi qu´elle mâche des algues pour avoir une raison de faire apporter de l´eau. [...] Mais ce n'est pas uniquement de la mort physique qu´elle le sauve. Si on considère qu'Egill est chrétien, [...], elle est aussi en train de le sauver d'un péché qui menace son salut éternel: le désespoir." [[Torfi H. Tulinius. Le statut théologique d‘Egill Skalla-Grímsson]] (p. 285).</ref> 'Why should I not?' said he. A little while after she called and bade them give her drink. Water was brought to her. Then said Egil, 'This comes of eating samphire,<ref>'''This comes of eating samphire''': "“Den [Egils söl-replik] har en tydlig rytm, och dess allitterationer: slíkt-sölin, þrystir-þess är påtagliga. Repliken låter sig otvunget uppfatta som vers och arrangera som en helming i oklanderlig ljóðháttr med naturliga höjningar och allitterationer i både det inledande versparet och fullraden […] En replik lagd i Egils mun i form av en helming i ljóðháttr strax innan han gick att dikta sin odödliga Sonatorrek i kviðuháttr kan vara en rätt passande upptakt.” [[Salberger, Evert. Egils sol-replik före Sonatorrek]] (pp. 22-23).</ref> one ever thirsts the more.'<ref>''' This comes of eating samphire, one ever thirsts the more ''': "Egils sǫl-replik är således en oklanderlig helming i ljóðaháttr med korsvis allitteration enligt schemat a b a b i det inledande versparet och ett självständigt stavrimssystem c c i fullraden. Dold I släktsagans prosa röjer den klar versifikatorisk konstnärlighet." [[Salberger, Evert. Metrisk till Egils “söl”-replik]] (p. 32).</ref> 'Would you like a drink,<ref>'''Would you like a drink''': "Ef Egils saga hefur verið sögð í gildi, þar sem þekkt var táknmál kristinna launhelga, skilst flest í dæminu. Mjólk er þá tákn um endurfæðingu Egils. Hann er að segja skiljið við óargadýrið, hann er að bjóða velkomið manneðlið, læknislistina og skáldskaparíþróttina". [[Einar Pálsson. Bræður himins og Egils saga]] (p. 6).</ref> father?' said she. He took and swallowed the liquid in a deep draught: it was in a horn. Then said Thorgerdr: 'Now are we deceived; this is milk.'<ref>'''this is milk''': "Hafi Egill átt möguleika á eilífu lífi, þar sem hann var tekinn inn í samfélag kristinna manna með prímsigningunni, þá skipti máli að hann svelti sig ekki til bana, eins og hann ætlaði að gera eftir að eftirlætissonur hans Böðvar drukknaði í Borgarfirði. Þegar Þorgerður narraði Egil til að bergja af mjólkinni og stakk svo upp á því að hann semdi erfikvæði um son sinn, með þeirri afleiðingu að hann hætti við að deyja, var hún ekki aðeins að bjarga lífi hans heldur líka sál." [[Torfi H. Tulinius. Hjálpræði frá Egilsdætrum]] (p. 69).</ref> Whereat Egil bit a sherd out of the horn, all that his teeth gripped, and cast the horn down.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Then said Egil, 'You do well, daughter, in that you will follow your father. Great love have you shown to me. What hope is there that I shall wish to live with this grief?'<ref>'''live with this grief''': "Völu-Steinn og Egill heyja helstríð af harmi eftir syni sína […] Um áhrif Landnámu á Egils sögu […] mætti spyrja hvort það sé ekki einmitt frásögnin af Völu-Steini sem haft hefur áhrif á sköpun frásagnarinnar um harm Egils. Sonatorrek hefur þá orðið til í hrifnæmum huga þess sem þekkti til Ögmundardrápu" [[Baldur Hafstað. HSk, Landnáma og Egils saga]] (p. 32).</ref> After this they were silent awhile. Then Egil spoke: 'What is it now, daughter? You are chewing something, are you not?' 'I am chewing samphire,'<ref> '''I am chewing samphire''': "Hér er... líklegast fyrsta tilvitnun um sölvaát í fornsögum okkar, og má ætla að sú matarvenja hafi fluttst hingað með landnámsmönnum... [Söl voru] snar þáttur í fæðuöflun landsmanna, en þó var bundið landshlutum, hélst svo gegnum aldir, en fór minnkandi og lagðist alveg af í byrjun þessarar aldar." [[Sigurður Samúelsson. Sjúkdómar og dánarmein íslenskra fornmanna]] (p. 263).</ref><ref> '''samphire''': "Eine von Islands essbaren Tangarten, deren Beschaffenheit aber damals wohl noch nicht allgemein bekannt war." [[Glückselig, Anton Thormod. Skaldenlieder aus der Egils-Saga]] (p. 183). </ref> said she, 'because I think it will do me harm. Otherwise I think I may live too long.' 'Is samphire bad for man?' said Egil. 'Very bad,' said she; 'will you eat some?'<ref>'''will you eat some''': "C´est ainsi qu´elle mâche des algues pour avoir une raison de faire apporter de l´eau. [...] Mais ce n'est pas uniquement de la mort physique qu´elle le sauve. Si on considère qu'Egill est chrétien, [...], elle est aussi en train de le sauver d'un péché qui menace son salut éternel: le désespoir." [[Torfi H. Tulinius. Le statut théologique d‘Egill Skalla-Grímsson]] (p. 285).</ref> 'Why should I not?' said he. A little while after she called and bade them give her drink. Water was brought to her. Then said Egil, 'This comes of eating samphire,<ref>'''This comes of eating samphire''': "“Den [Egils söl-replik] har en tydlig rytm, och dess allitterationer: slíkt-sölin, þrystir-þess är påtagliga. Repliken låter sig otvunget uppfatta som vers och arrangera som en helming i oklanderlig ljóðháttr med naturliga höjningar och allitterationer i både det inledande versparet och fullraden […] En replik lagd i Egils mun i form av en helming i ljóðháttr strax innan han gick att dikta sin odödliga Sonatorrek i kviðuháttr kan vara en rätt passande upptakt.” [[Salberger, Evert. Egils sol-replik före Sonatorrek]] (pp. 22-23).</ref> one ever thirsts the more.'<ref>''' This comes of eating samphire, one ever thirsts the more ''': "Egils sǫl-replik är således en oklanderlig helming i ljóðaháttr med korsvis allitteration enligt schemat a b a b i det inledande versparet och ett självständigt stavrimssystem c c i fullraden. Dold I släktsagans prosa röjer den klar versifikatorisk konstnärlighet." [[Salberger, Evert. Metrisk till Egils “söl”-replik]] (p. 32).</ref> 'Would you like a drink,<ref>'''Would you like a drink''': "Ef Egils saga hefur verið sögð í gildi, þar sem þekkt var táknmál kristinna launhelga, skilst flest í dæminu. Mjólk er þá tákn um endurfæðingu Egils. Hann er að segja skiljið við óargadýrið, hann er að bjóða velkomið manneðlið, læknislistina og skáldskaparíþróttina". [[Einar Pálsson. Bræður himins og Egils saga]] (p. 6).</ref> father?' said she. He took and swallowed the liquid in a deep draught: it was in a horn. Then said Thorgerdr: 'Now are we deceived;<ins style="font-weight: bold; text-decoration: none;"><ref>'''Now are we deceived''': "Speech acts count for a great deal in the sagas, as does, even more, the author’s economical use of direct speech, in which the act is made manifest. This is evident not least in the third scene, the prelude to the composition of “Sonatorrek”. The account has comic overtones that modern readers may find difficult to reconcile with Egill’s stifling, swelling grief, but here the saga-man seems to have adopted Egill’s own wry stance before old age and life’s losses." [[Sayers, William. Verbal Expedients and Transformative Utterances in Egils saga Skallagrímssonar]] (p. 179).</ref> </ins>this is milk.'<ref>'''this is milk''': "Hafi Egill átt möguleika á eilífu lífi, þar sem hann var tekinn inn í samfélag kristinna manna með prímsigningunni, þá skipti máli að hann svelti sig ekki til bana, eins og hann ætlaði að gera eftir að eftirlætissonur hans Böðvar drukknaði í Borgarfirði. Þegar Þorgerður narraði Egil til að bergja af mjólkinni og stakk svo upp á því að hann semdi erfikvæði um son sinn, með þeirri afleiðingu að hann hætti við að deyja, var hún ekki aðeins að bjarga lífi hans heldur líka sál." [[Torfi H. Tulinius. Hjálpræði frá Egilsdætrum]] (p. 69).</ref> Whereat Egil bit a sherd out of the horn, all that his teeth gripped, and cast the horn down.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Then spoke Thorgerdr: 'What counsel shall we take now? This our purpose is defeated.<ref>'''our purpose is defeated''': „Elle déclare mâcher des algues pour hâter son trépas. [...] Sa fille le calme en lui suggérant de composer une élégie á la mémoire de son fils. [...] Cet épisode unit le tragique et le comique, tout en témoignant d´une sagesse sur les sentiments les intimes du coeur humain.“ [[Torfi H. Tulinius. La saga d’Egill et l’histoire du roman]] (p. 150).</ref> Now I would fain, father, that we should lengthen our lives, so that you may compose a funeral poem<ref>'''compose a funeral poem''': "Geðrænar truflanir eiga sér þar ávallt rökræn tildrög, og lýsingar á ytra atferli þeirra samræmast nánar þeim klinisku myndum sem þekktar eru í geðlæknisfræðinni nú á</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Then spoke Thorgerdr: 'What counsel shall we take now? This our purpose is defeated.<ref>'''our purpose is defeated''': „Elle déclare mâcher des algues pour hâter son trépas. [...] Sa fille le calme en lui suggérant de composer une élégie á la mémoire de son fils. [...] Cet épisode unit le tragique et le comique, tout en témoignant d´une sagesse sur les sentiments les intimes du coeur humain.“ [[Torfi H. Tulinius. La saga d’Egill et l’histoire du roman]] (p. 150).</ref> Now I would fain, father, that we should lengthen our lives, so that you may compose a funeral poem<ref>'''compose a funeral poem''': "Geðrænar truflanir eiga sér þar ávallt rökræn tildrög, og lýsingar á ytra atferli þeirra samræmast nánar þeim klinisku myndum sem þekktar eru í geðlæknisfræðinni nú á</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l590">Line 590:</td> <td colspan="2" class="diff-lineno">Line 590:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Hann tók við og svalg stórum og var það í dýrshorni.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Hann tók við og svalg stórum og var það í dýrshorni.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Þá mælti Þorgerður: „Nú erum við vélt.<ref>'''Nú erum við vélt''': „Elle déclare mâcher des algues pour hâter son trépas. [...] Sa fille le calme en lui suggérant de composer une élégie á la mémoire de son fils. [...] Cet épisode unit le tragique et le comique, tout en témoignant d´une sagesse sur les sentiments les intimes du coeur humain.“ [[Torfi H. Tulinius. La saga d’Egill et l’histoire du roman]] (s. 150).</ref> Þetta er mjólk.“<ref>'''þetta er mjólk''': "Hafi Egill átt möguleika á eilífu lífi, þar sem hann var tekinn inn í samfélag kristinna manna með prímsigningunni, þá skipti máli að hann svelti sig ekki til bana, eins og hann ætlaði að gera eftir að eftirlætissonur hans Böðvar drukknaði í Borgarfirði. Þegar Þorgerður narraði Egil til að bergja af mjólkinni og stakk svo upp á því að hann semdi erfikvæði um son sinn, með þeirri afleiðingu að hann hætti við að deyja, var hún ekki aðeins að bjarga lífi hans heldur líka sál." [[Torfi H. Tulinius. Hjálpræði frá Egilsdætrum]] (s. 69).</ref> </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Þá mælti Þorgerður: „Nú erum við vélt.<ins style="font-weight: bold; text-decoration: none;"><ref>'''Nú erum við vélt''': "Speech acts count for a great deal in the sagas, as does, even more, the author’s economical use of direct speech, in which the act is made manifest. This is evident not least in the third scene, the prelude to the composition of “Sonatorrek”. The account has comic overtones that modern readers may find difficult to reconcile with Egill’s stifling, swelling grief, but here the saga-man seems to have adopted Egill’s own wry stance before old age and life’s losses." [[Sayers, William. Verbal Expedients and Transformative Utterances in Egils saga Skallagrímssonar]] (s. 179).</ref></ins><ref>'''Nú erum við vélt''': „Elle déclare mâcher des algues pour hâter son trépas. [...] Sa fille le calme en lui suggérant de composer une élégie á la mémoire de son fils. [...] Cet épisode unit le tragique et le comique, tout en témoignant d´une sagesse sur les sentiments les intimes du coeur humain.“ [[Torfi H. Tulinius. La saga d’Egill et l’histoire du roman]] (s. 150).</ref> Þetta er mjólk.“<ref>'''þetta er mjólk''': "Hafi Egill átt möguleika á eilífu lífi, þar sem hann var tekinn inn í samfélag kristinna manna með prímsigningunni, þá skipti máli að hann svelti sig ekki til bana, eins og hann ætlaði að gera eftir að eftirlætissonur hans Böðvar drukknaði í Borgarfirði. Þegar Þorgerður narraði Egil til að bergja af mjólkinni og stakk svo upp á því að hann semdi erfikvæði um son sinn, með þeirri afleiðingu að hann hætti við að deyja, var hún ekki aðeins að bjarga lífi hans heldur líka sál." [[Torfi H. Tulinius. Hjálpræði frá Egilsdætrum]] (s. 69).</ref> </div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Þá beit Egill skarð úr horninu, allt það er tennur tóku, og kastaði horninu síðan.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Þá beit Egill skarð úr horninu, allt það er tennur tóku, og kastaði horninu síðan.</div></td></tr> </table>

Jón Karl Helgason https://wikisaga.hi.is/index.php?title=Egla,_80&diff=8768&oldid=prev Jón Karl Helgason at 16:54, 1 November 2018 2018-11-01T16:54:10Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 16:54, 1 November 2018</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l15">Line 15:</td> <td colspan="2" class="diff-lineno">Line 15:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>On the next day Egil still did not open the bed-closet: he had no meat or drink: there he lay for that day and the following night, no man daring to speak with him. But on the third morning, as soon as it was light, Asgerdr had a man set on horseback, who rode as hard as he could westwards to Hjardarholt, and told Thorgerdr all these tidings; it was about nones when he got there. He said also that Asgerdr had sent her word to come without delay southwards to Borg. Thorgerdr at once bade them saddle her a horse, and two men attended her. They rode that evening and through the night till they came to Borg. Thorgerdr went at once into the hall. Asgerdr greeted her, and asked whether they had eaten supper. Thorgerdr said aloud, 'No supper have I had, and none will I have till I sup with Freyja. I can do no better than does my father: I will not overlive my father and brother.' She then went to the bed-closet and called, 'Father, open the door! I will that we both travel the same road.' Egil undid the lock. Thorgerdr stepped up into the bed-closet, and locked the door again, and lay down on another bed that was there.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>On the next day Egil still did not open the bed-closet: he had no meat or drink: there he lay for that day and the following night, no man daring to speak with him. But on the third morning, as soon as it was light, Asgerdr had a man set on horseback, who rode as hard as he could westwards to Hjardarholt, and told Thorgerdr all these tidings; it was about nones when he got there. He said also that Asgerdr had sent her word to come without delay southwards to Borg. Thorgerdr at once bade them saddle her a horse, and two men attended her. They rode that evening and through the night till they came to Borg. Thorgerdr went at once into the hall. Asgerdr greeted her, and asked whether they had eaten supper. Thorgerdr said aloud, 'No supper have I had, and none will I have till I sup with Freyja. I can do no better than does my father: I will not overlive my father and brother.' She then went to the bed-closet and called, 'Father, open the door! I will that we both travel the same road.' Egil undid the lock. Thorgerdr stepped up into the bed-closet, and locked the door again, and lay down on another bed that was there.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Then said Egil, 'You do well, daughter, in that you will follow your father. Great love have you shown to me. What hope is there that I shall wish to live with this grief?'<ref>'''live with this grief''': "Völu-Steinn og Egill heyja helstríð af harmi eftir syni sína […] Um áhrif Landnámu á Egils sögu […] mætti spyrja hvort það sé ekki einmitt frásögnin af Völu-Steini sem haft hefur áhrif á sköpun frásagnarinnar um harm Egils. Sonatorrek hefur þá orðið til í hrifnæmum huga þess sem þekkti til Ögmundardrápu" [[Baldur Hafstað. HSk, Landnáma og Egils saga]] (p. 32).</ref> After this they were silent awhile. Then Egil spoke: 'What is it now, daughter? You are chewing something, are you not?' 'I am chewing samphire,'<ref> '''I am chewing samphire''': "Hér er... líklegast fyrsta tilvitnun um sölvaát í fornsögum okkar, og má ætla að sú matarvenja hafi fluttst hingað með landnámsmönnum... [Söl voru] snar þáttur í fæðuöflun landsmanna, en þó var bundið landshlutum, hélst svo gegnum aldir, en fór minnkandi og lagðist alveg af í byrjun þessarar aldar." [[Sigurður Samúelsson. Sjúkdómar og dánarmein íslenskra fornmanna]] (p. 263).</ref><ref> '''samphire''': "Eine von Islands essbaren Tangarten, deren Beschaffenheit aber damals wohl noch nicht allgemein bekannt war." [[Glückselig, Anton Thormod. Skaldenlieder aus der Egils-Saga]] (p. 183). </ref> said she, 'because I think it will do me harm. Otherwise I think I may live too long.' 'Is samphire bad for man?' said Egil. 'Very bad,' said she; 'will you eat some?'<ref>'''will you eat some''': "C´est ainsi qu´elle mâche des algues pour avoir une raison de faire apporter de l´eau. [...] Mais ce n'est pas uniquement de la mort physique qu´elle le sauve. Si on considère qu'Egill est chrétien, [...], elle est aussi en train de le sauver d'un péché qui menace son salut éternel: le désespoir." [[Torfi H. Tulinius. Le statut théologique d‘Egill Skalla-Grímsson]] (p. 285).</ref> 'Why should I not?' said he. A little while after she called and bade them give her drink. Water was brought to her. Then said Egil, 'This comes of eating samphire, one ever thirsts the more.'<ref>''' This comes of eating samphire, one ever thirsts the more ''': "Egils sǫl-replik är således en oklanderlig helming i ljóðaháttr med korsvis allitteration enligt schemat a b a b i det inledande versparet och ett självständigt stavrimssystem c c i fullraden. Dold I släktsagans prosa röjer den klar versifikatorisk konstnärlighet." [[Salberger, Evert. Metrisk till Egils “söl”-replik]] (p. 32).</ref> 'Would you like a drink,<ref>'''Would you like a drink''': "Ef Egils saga hefur verið sögð í gildi, þar sem þekkt var táknmál kristinna launhelga, skilst flest í dæminu. Mjólk er þá tákn um endurfæðingu Egils. Hann er að segja skiljið við óargadýrið, hann er að bjóða velkomið manneðlið, læknislistina og skáldskaparíþróttina". [[Einar Pálsson. Bræður himins og Egils saga]] (p. 6).</ref> father?' said she. He took and swallowed the liquid in a deep draught: it was in a horn. Then said Thorgerdr: 'Now are we deceived; this is milk.'<ref>'''this is milk''': "Hafi Egill átt möguleika á eilífu lífi, þar sem hann var tekinn inn í samfélag kristinna manna með prímsigningunni, þá skipti máli að hann svelti sig ekki til bana, eins og hann ætlaði að gera eftir að eftirlætissonur hans Böðvar drukknaði í Borgarfirði. Þegar Þorgerður narraði Egil til að bergja af mjólkinni og stakk svo upp á því að hann semdi erfikvæði um son sinn, með þeirri afleiðingu að hann hætti við að deyja, var hún ekki aðeins að bjarga lífi hans heldur líka sál." [[Torfi H. Tulinius. Hjálpræði frá Egilsdætrum]] (p. 69).</ref> Whereat Egil bit a sherd out of the horn, all that his teeth gripped, and cast the horn down.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Then said Egil, 'You do well, daughter, in that you will follow your father. Great love have you shown to me. What hope is there that I shall wish to live with this grief?'<ref>'''live with this grief''': "Völu-Steinn og Egill heyja helstríð af harmi eftir syni sína […] Um áhrif Landnámu á Egils sögu […] mætti spyrja hvort það sé ekki einmitt frásögnin af Völu-Steini sem haft hefur áhrif á sköpun frásagnarinnar um harm Egils. Sonatorrek hefur þá orðið til í hrifnæmum huga þess sem þekkti til Ögmundardrápu" [[Baldur Hafstað. HSk, Landnáma og Egils saga]] (p. 32).</ref> After this they were silent awhile. Then Egil spoke: 'What is it now, daughter? You are chewing something, are you not?' 'I am chewing samphire,'<ref> '''I am chewing samphire''': "Hér er... líklegast fyrsta tilvitnun um sölvaát í fornsögum okkar, og má ætla að sú matarvenja hafi fluttst hingað með landnámsmönnum... [Söl voru] snar þáttur í fæðuöflun landsmanna, en þó var bundið landshlutum, hélst svo gegnum aldir, en fór minnkandi og lagðist alveg af í byrjun þessarar aldar." [[Sigurður Samúelsson. Sjúkdómar og dánarmein íslenskra fornmanna]] (p. 263).</ref><ref> '''samphire''': "Eine von Islands essbaren Tangarten, deren Beschaffenheit aber damals wohl noch nicht allgemein bekannt war." [[Glückselig, Anton Thormod. Skaldenlieder aus der Egils-Saga]] (p. 183). </ref> said she, 'because I think it will do me harm. Otherwise I think I may live too long.' 'Is samphire bad for man?' said Egil. 'Very bad,' said she; 'will you eat some?'<ref>'''will you eat some''': "C´est ainsi qu´elle mâche des algues pour avoir une raison de faire apporter de l´eau. [...] Mais ce n'est pas uniquement de la mort physique qu´elle le sauve. Si on considère qu'Egill est chrétien, [...], elle est aussi en train de le sauver d'un péché qui menace son salut éternel: le désespoir." [[Torfi H. Tulinius. Le statut théologique d‘Egill Skalla-Grímsson]] (p. 285).</ref> 'Why should I not?' said he. A little while after she called and bade them give her drink. Water was brought to her. Then said Egil, 'This comes of eating samphire,<ins style="font-weight: bold; text-decoration: none;"><ref>'''This comes of eating samphire''': "“Den [Egils söl-replik] har en tydlig rytm, och dess allitterationer: slíkt-sölin, þrystir-þess är påtagliga. Repliken låter sig otvunget uppfatta som vers och arrangera som en helming i oklanderlig ljóðháttr med naturliga höjningar och allitterationer i både det inledande versparet och fullraden […] En replik lagd i Egils mun i form av en helming i ljóðháttr strax innan han gick att dikta sin odödliga Sonatorrek i kviðuháttr kan vara en rätt passande upptakt.” [[Salberger, Evert. Egils sol-replik före Sonatorrek]] (pp. 22-23).</ref> </ins>one ever thirsts the more.'<ref>''' This comes of eating samphire, one ever thirsts the more ''': "Egils sǫl-replik är således en oklanderlig helming i ljóðaháttr med korsvis allitteration enligt schemat a b a b i det inledande versparet och ett självständigt stavrimssystem c c i fullraden. Dold I släktsagans prosa röjer den klar versifikatorisk konstnärlighet." [[Salberger, Evert. Metrisk till Egils “söl”-replik]] (p. 32).</ref> 'Would you like a drink,<ref>'''Would you like a drink''': "Ef Egils saga hefur verið sögð í gildi, þar sem þekkt var táknmál kristinna launhelga, skilst flest í dæminu. Mjólk er þá tákn um endurfæðingu Egils. Hann er að segja skiljið við óargadýrið, hann er að bjóða velkomið manneðlið, læknislistina og skáldskaparíþróttina". [[Einar Pálsson. Bræður himins og Egils saga]] (p. 6).</ref> father?' said she. He took and swallowed the liquid in a deep draught: it was in a horn. Then said Thorgerdr: 'Now are we deceived; this is milk.'<ref>'''this is milk''': "Hafi Egill átt möguleika á eilífu lífi, þar sem hann var tekinn inn í samfélag kristinna manna með prímsigningunni, þá skipti máli að hann svelti sig ekki til bana, eins og hann ætlaði að gera eftir að eftirlætissonur hans Böðvar drukknaði í Borgarfirði. Þegar Þorgerður narraði Egil til að bergja af mjólkinni og stakk svo upp á því að hann semdi erfikvæði um son sinn, með þeirri afleiðingu að hann hætti við að deyja, var hún ekki aðeins að bjarga lífi hans heldur líka sál." [[Torfi H. Tulinius. Hjálpræði frá Egilsdætrum]] (p. 69).</ref> Whereat Egil bit a sherd out of the horn, all that his teeth gripped, and cast the horn down.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Then spoke Thorgerdr: 'What counsel shall we take now? This our purpose is defeated.<ref>'''our purpose is defeated''': „Elle déclare mâcher des algues pour hâter son trépas. [...] Sa fille le calme en lui suggérant de composer une élégie á la mémoire de son fils. [...] Cet épisode unit le tragique et le comique, tout en témoignant d´une sagesse sur les sentiments les intimes du coeur humain.“ [[Torfi H. Tulinius. La saga d’Egill et l’histoire du roman]] (p. 150).</ref> Now I would fain, father, that we should lengthen our lives, so that you may compose a funeral poem<ref>'''compose a funeral poem''': "Geðrænar truflanir eiga sér þar ávallt rökræn tildrög, og lýsingar á ytra atferli þeirra samræmast nánar þeim klinisku myndum sem þekktar eru í geðlæknisfræðinni nú á</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Then spoke Thorgerdr: 'What counsel shall we take now? This our purpose is defeated.<ref>'''our purpose is defeated''': „Elle déclare mâcher des algues pour hâter son trépas. [...] Sa fille le calme en lui suggérant de composer une élégie á la mémoire de son fils. [...] Cet épisode unit le tragique et le comique, tout en témoignant d´une sagesse sur les sentiments les intimes du coeur humain.“ [[Torfi H. Tulinius. La saga d’Egill et l’histoire du roman]] (p. 150).</ref> Now I would fain, father, that we should lengthen our lives, so that you may compose a funeral poem<ref>'''compose a funeral poem''': "Geðrænar truflanir eiga sér þar ávallt rökræn tildrög, og lýsingar á ytra atferli þeirra samræmast nánar þeim klinisku myndum sem þekktar eru í geðlæknisfræðinni nú á</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l584">Line 584:</td> <td colspan="2" class="diff-lineno">Line 584:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>En stundu síðar kallaði hún og bað gefa sér drekka. Síðan var henni gefið vatn að drekka.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>En stundu síðar kallaði hún og bað gefa sér drekka. Síðan var henni gefið vatn að drekka.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Þá mælti Egill: „Slíkt gerir að er sölin etur, þyrstir æ þess að meir.“<ref>''' Slíkt gerir að er sölin etur, þyrstir æ þess að meir ''': "Egils sǫl-replik är således en oklanderlig helming i ljóðaháttr med korsvis allitteration enligt schemat a b a b i det inledande versparet och ett självständigt stavrimssystem c c i fullraden. Dold I släktsagans prosa röjer den klar versifikatorisk konstnärlighet." [[Salberger, Evert. Metrisk till Egils “söl”-replik]] (s. 32).</ref></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Þá mælti Egill: „Slíkt gerir að er sölin etur,<ins style="font-weight: bold; text-decoration: none;"><ref>'''Slíkt gerir að er sölin etur''': "“Den [Egils söl-replik] har en tydlig rytm, och dess allitterationer: slíkt-sölin, þrystir-þess är påtagliga. Repliken låter sig otvunget uppfatta som vers och arrangera som en helming i oklanderlig ljóðháttr med naturliga höjningar och allitterationer i både det inledande versparet och fullraden […] En replik lagd i Egils mun i form av en helming i ljóðháttr strax innan han gick att dikta sin odödliga Sonatorrek i kviðuháttr kan vara en rätt passande upptakt.” [[Salberger, Evert. Egils sol-replik före Sonatorrek]] (s. 22-23).</ref> </ins>þyrstir æ þess að meir.“<ref>''' Slíkt gerir að er sölin etur, þyrstir æ þess að meir ''': "Egils sǫl-replik är således en oklanderlig helming i ljóðaháttr med korsvis allitteration enligt schemat a b a b i det inledande versparet och ett självständigt stavrimssystem c c i fullraden. Dold I släktsagans prosa röjer den klar versifikatorisk konstnärlighet." [[Salberger, Evert. Metrisk till Egils “söl”-replik]] (s. 32).</ref></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>„Viltu drekka faðir?“<ref>'''Viltu drekka faðir?''': „Ef Egils saga hefur verið sögð í gildi, þar sem þekkt var táknmál kristinna launhelga, skilst flest í dæminu. Mjólk er þá tákn um endurfæðingu Egils. Hann er að segja skiljið við óargadýrið, hann er að bjóða velkomið manneðlið, læknislistina og skáldskaparíþróttina“. [[Einar Pálsson. Bræður himins og Egils saga]] (s. 6).</ref> segir hún.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>„Viltu drekka faðir?“<ref>'''Viltu drekka faðir?''': „Ef Egils saga hefur verið sögð í gildi, þar sem þekkt var táknmál kristinna launhelga, skilst flest í dæminu. Mjólk er þá tákn um endurfæðingu Egils. Hann er að segja skiljið við óargadýrið, hann er að bjóða velkomið manneðlið, læknislistina og skáldskaparíþróttina“. [[Einar Pálsson. Bræður himins og Egils saga]] (s. 6).</ref> segir hún.</div></td></tr> </table>

Jón Karl Helgason https://wikisaga.hi.is/index.php?title=Egla,_80&diff=8754&oldid=prev Jón Karl Helgason at 15:40, 31 October 2018 2018-10-31T15:40:26Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 15:40, 31 October 2018</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l242">Line 242:</td> <td colspan="2" class="diff-lineno">Line 242:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The god once honoured,<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The god once honoured,<br></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>I give no more.<ref> '''I give no more''': “På Odin är Egill uppenbarligen besviken, för honom hade Egill litat på. Odin har ju gett honom den gåva som är värdefullare än andra: skaldekonsten. Egils reaktion får förstås mot bakgrund av den föreställningsvärld som var hans. För trollkarlen Egill är det en allt överskuggande angelägenhet att med alla medel få makterna på sin sida. När någon olycka drabbar honom är det ett tecken på att hans magiska kraft är otillräcklig.” [[Ralph, Bo. Om tilkomsten av Sonatorrek]] (p. 163). </ref><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>I give no more.<ref> '''I give no more''': “På Odin är Egill uppenbarligen besviken, för honom hade Egill litat på. Odin har ju gett honom den gåva som är värdefullare än andra: skaldekonsten. Egils reaktion får förstås mot bakgrund av den föreställningsvärld som var hans. För trollkarlen Egill är det en allt överskuggande angelägenhet att med alla medel få makterna på sin sida. När någon olycka drabbar honom är det ett tecken på att hans magiska kraft är otillräcklig.” [[Ralph, Bo. Om tilkomsten av Sonatorrek]] (p. 163). </ref><br></div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Yet the friend of Mimir<br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Yet the friend of Mimir<ins style="font-weight: bold; text-decoration: none;"><ref>'''friend of Mimir''': "In Egil's greatest poem 'Lament for My Sons' […] he speaks of the double-face of his god. As rune-master and lord of poetry, Odin has given Egil the power of words; as lord of poetry, Odin has taken away his two sons. Yet it is the gift of poetry which makes the loss bearable, giving Egil the power to cope with his suffering by expressing it." [[Hermann Pálsson, Paul Edwards. Introduction]] (p. 11).</ref><br></ins><br></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>On me hath bestowed<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>On me hath bestowed<br></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Some boot for bale,<ref>'''poesy faultless''': "niðurstaða þess [kvæðisins] er sú að í stóru böli, þegar ekki fæst hjálp leingur af máttarvöldum, þá sé athvarf í skáldskap." [[Halldór Laxness. Egill Skallagrímsson og sjónvarpið]] (p. 118).</ref><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Some boot for bale,<ref>'''poesy faultless''': "niðurstaða þess [kvæðisins] er sú að í stóru böli, þegar ekki fæst hjálp leingur af máttarvöldum, þá sé athvarf í skáldskap." [[Halldór Laxness. Egill Skallagrímsson og sjónvarpið]] (p. 118).</ref><br></div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l822">Line 822:</td> <td colspan="2" class="diff-lineno">Line 822:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>goðs jaðar,<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>goðs jaðar,<br></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>að eg gjarn sék.<ref> '''að eg gjarn sék''': “På Odin är Egill uppenbarligen besviken, för honom hade Egill litat på. Odin har ju gett honom den gåva som är värdefullare än andra: skaldekonsten. Egils reaktion får förstås mot bakgrund av den föreställningsvärld som var hans. För trollkarlen Egill är det en allt överskuggande angelägenhet att med alla medel få makterna på sin sida. När någon olycka drabbar honom är det ett tecken på att hans magiska kraft är otillräcklig.” [[Ralph, Bo. Om tilkomsten av Sonatorrek]] (s. 163). </ref> <br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>að eg gjarn sék.<ref> '''að eg gjarn sék''': “På Odin är Egill uppenbarligen besviken, för honom hade Egill litat på. Odin har ju gett honom den gåva som är värdefullare än andra: skaldekonsten. Egils reaktion får förstås mot bakgrund av den föreställningsvärld som var hans. För trollkarlen Egill är det en allt överskuggande angelägenhet att med alla medel få makterna på sin sida. När någon olycka drabbar honom är det ett tecken på att hans magiska kraft är otillräcklig.” [[Ralph, Bo. Om tilkomsten av Sonatorrek]] (s. 163). </ref> <br></div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Þó hefr Míms vinur <br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Þó hefr Míms vinur<ins style="font-weight: bold; text-decoration: none;"><ref>'''Míms vinur''': "In Egil's greatest poem 'Lament for My Sons' […] he speaks of the double-face of his god. As rune-master and lord of poetry, Odin has given Egil the power of words; as lord of poetry, Odin has taken away his two sons. Yet it is the gift of poetry which makes the loss bearable, giving Egil the power to cope with his suffering by expressing it." [[Hermann Pálsson, Paul Edwards. Introduction]] (s. 11).</ref></ins><br></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>mér um fengnar<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>mér um fengnar<br></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>bölva bætr<ref>'''bölva bætr''': "niðurstaða þess [kvæðisins] er sú að í stóru böli, þegar ekki fæst hjálp leingur af máttarvöldum, þá sé athvarf í skáldskap." [[Halldór Laxness. Egill Skallagrímsson og sjónvarpið]] (s. 118).</ref><br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>bölva bætr<ref>'''bölva bætr''': "niðurstaða þess [kvæðisins] er sú að í stóru böli, þegar ekki fæst hjálp leingur af máttarvöldum, þá sé athvarf í skáldskap." [[Halldór Laxness. Egill Skallagrímsson og sjónvarpið]] (s. 118).</ref><br></div></td></tr> </table>

Jón Karl Helgason https://wikisaga.hi.is/index.php?title=Egla,_80&diff=8569&oldid=prev Jón Karl Helgason at 13:04, 9 November 2017 2017-11-09T13:04:40Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 13:04, 9 November 2017</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l43">Line 43:</td> <td colspan="2" class="diff-lineno">Line 43:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Blessed boon to mortals<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Blessed boon to mortals<br></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Brought from Odin's kin,<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Brought from Odin's kin,<br></div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Goodly treasure, stolen<br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Goodly treasure,<ins style="font-weight: bold; text-decoration: none;"><ref>'''Goodly treasure''': „The Sonatorrek, perhaps better than any other poem, illustrates the religious outlook of a man of Egill¬‘s time – even though he was a far from ordinary man. In its twenty-five strophes the Sonatorrek contains about twenty allusions to gods or myths, some of which are obscure to us. [...] Poetry, for pagans, was sacred, and in the Sonatorrek Egill several times alludes to the story of its origin. It is the joyful find of Frigg‘s kinsmen, brought long ago from the world of giants (2); it is the theft of Óðinn (1), and Óðinn‘s gift to Egill (24.)“ [[Turville-Petre, Gabriel. Egill Skalla-Grímsson]] (pp. 25-26).</ref> </ins>stolen<br></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>From Giant-land of yore. <ref> '''From Giant-land of yore''': "Het parallellisme met de eerder besproken roof van de dichtermede door Óðinn uit het Reuzenland ligt voor de hand (...). Dat Egill inderdaad aan dit goddelijk exempel denkt, blijkt al dadelijk uit de kenningen in zijn twee aanvangsstrofen, waar hij onmiddellijk na elkaar zijn kunst omschrijft als 'Óðin’s roof' en als 'het feestgelag van Frigg’s verwanten'." [[Hamel, A. G. van. Ijslands Odinsgeloof]] (p. 175). </ref></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>From Giant-land of yore. <ref> '''From Giant-land of yore''': "Het parallellisme met de eerder besproken roof van de dichtermede door Óðinn uit het Reuzenland ligt voor de hand (...). Dat Egill inderdaad aan dit goddelijk exempel denkt, blijkt al dadelijk uit de kenningen in zijn twee aanvangsstrofen, waar hij onmiddellijk na elkaar zijn kunst omschrijft als 'Óðin’s roof' en als 'het feestgelag van Frigg’s verwanten'." [[Hamel, A. G. van. Ijslands Odinsgeloof]] (p. 175). </ref></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l618">Line 618:</td> <td colspan="2" class="diff-lineno">Line 618:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>höfuglegr,<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>höfuglegr,<br></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>úr hyggju stað<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>úr hyggju stað<br></div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>fagnafundr<br></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>fagnafundr<ins style="font-weight: bold; text-decoration: none;"><ref>'''fagnafundr''': „The Sonatorrek, perhaps better than any other poem, illustrates the religious outlook of a man of Egill¬‘s time – even though he was a far from ordinary man. In its twenty-five strophes the Sonatorrek contains about twenty allusions to gods or myths, some of which are obscure to us. [...] Poetry, for pagans, was sacred, and in the Sonatorrek Egill several times alludes to the story of its origin. It is the joyful find of Frigg‘s kinsmen, brought long ago from the world of giants (2); it is the theft of Óðinn (1), and Óðinn‘s gift to Egill (24.)“ [[Turville-Petre, Gabriel. Egill Skalla-Grímsson]] (s. 25-26).</ref></ins><br></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Þriggja niðja,<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Þriggja niðja,<br></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>ár borinn<br></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>ár borinn<br></div></td></tr> </table>

Jón Karl Helgason