Egla, 81 - Revision history

Jón Karl Helgason at 11:58, 9 November 2017

2017-11-09T11:58:16Z

← Older revision		Revision as of 11:58, 9 November 2017
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	Earth's islet-studded belt,<br>		Earth's islet-studded belt,<br>
	Such on my high hawk-perch<br>		Such on my high hawk-perch<br>
	Hailed down the silver shower.'<br>		Hailed down the silver shower.'<ref>'''Hailed down the silver shower''': "From the point of view of the saga‘s construction, this reminiscent mode marks the point where Egil begins to be represented as an old man revisiting the dramas of his past. Arinbjorn‘s triumph is not allowed to last; almost immediately we hear of his death at the side of Harald Grey-clock at Limfjord, commemorated by Egil in a strongly elegiac stanza lamenting the loss of his friends" [[Finlay, Alison. Elegy and Old Age in Egil’s Saga]] (p. ??).</ref><br>

	Einar Helgi's son the poet was nicknamed Skala-glam. He composed a poem about earl Hacon, which is called 'Dearth of Gold'; and for a long time the earl would not hear the poem because he was wroth with Einar. Then Einar sang:		Einar Helgi's son the poet was nicknamed Skala-glam. He composed a poem about earl Hacon, which is called 'Dearth of Gold'; and for a long time the earl would not hear the poem because he was wroth with Einar. Then Einar sang:
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	háfjöll digulsnjávi <br>		háfjöll digulsnjávi <br>
	jarðar gjörð við orðum <br>		jarðar gjörð við orðum <br>
	eyneglda mér hegldu.<br>		eyneglda mér hegldu.<ref>'''eyneglda mér hegldu''': "From the point of view of the saga‘s construction, this reminiscent mode marks the point where Egil begins to be represented as an old man revisiting the dramas of his past. Arinbjorn‘s triumph is not allowed to last; almost immediately we hear of his death at the side of Harald Grey-clock at Limfjord, commemorated by Egil in a strongly elegiac stanza lamenting the loss of his friends" [[Finlay, Alison. Elegy and Old Age in Egil’s Saga]] (s. ??).</ref><br>

	Einar Helgason skáld var kallaður skálaglamm. Hann orti drápu um Hákon jarl er kölluð er Vellekla og var það mjög lengi að jarlinn vildi eigi hlýða kvæðinu því að hann var reiður Einari. Þá kvað Einar:		Einar Helgason skáld var kallaður skálaglamm. Hann orti drápu um Hákon jarl er kölluð er Vellekla og var það mjög lengi að jarlinn vildi eigi hlýða kvæðinu því að hann var reiður Einari. Þá kvað Einar:

Ermenegilda: /* Chapter 81 */

2016-08-30T11:19:40Z

Chapter 81

← Older revision		Revision as of 11:19, 30 August 2016
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	Smitten fast and furious;<br>		Smitten fast and furious;<br>
	Angry fire forth-flashing<br>		Angry fire forth-flashing<br>
	Flew my ashen spear.'<br>		Flew my ashen spear.'<ref>'''Flew my ashen spear''': "Cap. 82, 1 (i.e. chapter 81) endet bei Jónsson folgendermassen: ''létk af emblu aski / eldi valbasta kastat'', wo das wort ''eldi'' (c.f. Finnur Jónsson 1884) metrisch unrichtig ist, weil es dem verse eine überschlüssige silbe erteilt. Zu lesen ist ''eld'' oder ''elds''. Das object des verbums ''kasta'' wird dann in der voraufgehenden zeile zu suchen sein. Es bleibt somit kaum eine andere combination möglish als diese: ''elds embla'' = 'femina' (vgl. ''eld-Gerðr'' und ''eld-Gefn''), ''valbasta askr'' = 'pugnator, vir' (wo ''valbǫst'' metaphorisch für schwert steht). Der sinn wird hiernach folgender: 'ich befreite die frau von dem krieger'." [[Falk, Hjalmar. Bemerkungen zu den Lausavísur der Egils saga]] (p. 365). </ref><br>

	Egil and Einar pledged them to friendship on parting. Einar was long abroad from Iceland with men of rank. Einar was open-handed, and often short of money, but noble-hearted and manly. He was in the body-guard of earl Hacon Sigurd's son. At that time there was in Norway much war, the battles between earl Hacon and Eric's sons; and now one, now the other, was driven from the land. King Harold, Eric's son, fell south in Denmark, at Hals in Lima-firth; this was by treachery. He was then fighting with Harold Knut's son, who was called Gold-Harold, and earl Hacon was there. There fell also with king Harold lord Arinbjorn, of whom much has already been told. And when Egil heard of the fall of Arinbjorn, then he sang:		Egil and Einar pledged them to friendship on parting. Einar was long abroad from Iceland with men of rank. Einar was open-handed, and often short of money, but noble-hearted and manly. He was in the body-guard of earl Hacon Sigurd's son. At that time there was in Norway much war, the battles between earl Hacon and Eric's sons; and now one, now the other, was driven from the land. King Harold, Eric's son, fell south in Denmark, at Hals in Lima-firth; this was by treachery. He was then fighting with Harold Knut's son, who was called Gold-Harold, and earl Hacon was there. There fell also with king Harold lord Arinbjorn, of whom much has already been told. And when Egil heard of the fall of Arinbjorn, then he sang:

Ermenegilda: /* Kafli 81 */

2016-08-30T11:18:55Z

Kafli 81

← Older revision		Revision as of 11:18, 30 August 2016
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	hlífar skelfiknífum; <br>		hlífar skelfiknífum; <br>
	létk af Emblu aski <br>		létk af Emblu aski <br>
	eld valbasta kastat.<ref> '''eld valbasta kastat''': "Cap. 82, 1 (i.e. chapter 81) endet bei Jónsson folgendermassen: ''létk af emblu aski / eldi valbasta kastat'', wo das wort ''eldi'' (c.f. Finnur Jónsson 1884) metrisch unrichtig ist, weil es dem verse eine überschlüssige silbe erteilt. Zu lesen ist ''eld'' oder ''elds''. Das object des verbums ''kasta'' wird dann in der voraufgehenden zeile zu suchen sein. Es bleibt somit kaum eine andere combination möglish als diese: ''elds embla'' = 'femina' (vgl. ''eld-Gerðr'' und ''eld-Gefn''), ''valbasta askr'' = 'pugnator, vir' (wo ''valbǫst'' metaphorisch für schwert steht). Der sinn wird hiernach folgender: 'ich befreite die frau von dem krieger'." [[Falk, Hjalmar. Bemerkungen zu den Lausavísur der Egils saga]] (s. 365) </ref><br>		eld valbasta kastat.<ref> '''eld valbasta kastat''': "Cap. 82, 1 (i.e. chapter 81) endet bei Jónsson folgendermassen: ''létk af emblu aski / eldi valbasta kastat'', wo das wort ''eldi'' (c.f. Finnur Jónsson 1884) metrisch unrichtig ist, weil es dem verse eine überschlüssige silbe erteilt. Zu lesen ist ''eld'' oder ''elds''. Das object des verbums ''kasta'' wird dann in der voraufgehenden zeile zu suchen sein. Es bleibt somit kaum eine andere combination möglish als diese: ''elds embla'' = 'femina' (vgl. ''eld-Gerðr'' und ''eld-Gefn''), ''valbasta askr'' = 'pugnator, vir' (wo ''valbǫst'' metaphorisch für schwert steht). Der sinn wird hiernach folgender: 'ich befreite die frau von dem krieger'." [[Falk, Hjalmar. Bemerkungen zu den Lausavísur der Egils saga]] (s. 365). </ref><br>

	Þeir Egill og Einar mæltu til vináttu með sér að skilnaði. Einar var löngum utanlendis með tignum mönnum. Einar var ör maður og oftast félítill en skörungur mikill og drengur góður. Hann var hirðmaður Hákonar jarls Sigurðarsonar.		Þeir Egill og Einar mæltu til vináttu með sér að skilnaði. Einar var löngum utanlendis með tignum mönnum. Einar var ör maður og oftast félítill en skörungur mikill og drengur góður. Hann var hirðmaður Hákonar jarls Sigurðarsonar.

Ermenegilda: /* Kafli 81 */

2016-08-30T11:18:23Z

Kafli 81

← Older revision		Revision as of 11:18, 30 August 2016
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	hlífar skelfiknífum; <br>		hlífar skelfiknífum; <br>
	létk af Emblu aski <br>		létk af Emblu aski <br>
	eld valbasta kastat.~~<br>~~<ref> '''eld valbasta kastat''': "Cap. 82, 1 (i.e. chapter 81) endet bei Jónsson folgendermassen: ''létk af emblu aski / eldi valbasta kastat'', wo das wort ''eldi'' (c.f. Finnur Jónsson 1884) metrisch unrichtig ist, weil es dem verse eine überschlüssige silbe erteilt. Zu lesen ist ''eld'' oder ''elds''. Das object des verbums ''kasta'' wird dann in der voraufgehenden zeile zu suchen sein. Es bleibt somit kaum eine andere combination möglish als diese: ''elds embla'' = 'femina' (vgl. ''eld-Gerðr'' und ''eld-Gefn''), ''valbasta askr'' = 'pugnator, vir' (wo ''valbǫst'' metaphorisch für schwert steht). Der sinn wird hiernach folgender: 'ich befreite die frau von dem krieger'." [[Falk, Hjalmar. Bemerkungen zu den Lausavísur der Egils saga]] (s. 365) </ref>		eld valbasta kastat.<ref> '''eld valbasta kastat''': "Cap. 82, 1 (i.e. chapter 81) endet bei Jónsson folgendermassen: ''létk af emblu aski / eldi valbasta kastat'', wo das wort ''eldi'' (c.f. Finnur Jónsson 1884) metrisch unrichtig ist, weil es dem verse eine überschlüssige silbe erteilt. Zu lesen ist ''eld'' oder ''elds''. Das object des verbums ''kasta'' wird dann in der voraufgehenden zeile zu suchen sein. Es bleibt somit kaum eine andere combination möglish als diese: ''elds embla'' = 'femina' (vgl. ''eld-Gerðr'' und ''eld-Gefn''), ''valbasta askr'' = 'pugnator, vir' (wo ''valbǫst'' metaphorisch für schwert steht). Der sinn wird hiernach folgender: 'ich befreite die frau von dem krieger'." [[Falk, Hjalmar. Bemerkungen zu den Lausavísur der Egils saga]] (s. 365) </ref><br>

	Þeir Egill og Einar mæltu til vináttu með sér að skilnaði. Einar var löngum utanlendis með tignum mönnum. Einar var ör maður og oftast félítill en skörungur mikill og drengur góður. Hann var hirðmaður Hákonar jarls Sigurðarsonar.		Þeir Egill og Einar mæltu til vináttu með sér að skilnaði. Einar var löngum utanlendis með tignum mönnum. Einar var ör maður og oftast félítill en skörungur mikill og drengur góður. Hann var hirðmaður Hákonar jarls Sigurðarsonar.

Ermenegilda: /* Kafli 81 */

2016-08-30T11:18:05Z

Kafli 81

← Older revision		Revision as of 11:18, 30 August 2016
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	hlífar skelfiknífum; <br>		hlífar skelfiknífum; <br>
	létk af Emblu aski <br>		létk af Emblu aski <br>
	eld valbasta kastat.<br>		eld valbasta kastat.<br><ref> '''eld valbasta kastat''': "Cap. 82, 1 (i.e. chapter 81) endet bei Jónsson folgendermassen: ''létk af emblu aski / eldi valbasta kastat'', wo das wort ''eldi'' (c.f. Finnur Jónsson 1884) metrisch unrichtig ist, weil es dem verse eine überschlüssige silbe erteilt. Zu lesen ist ''eld'' oder ''elds''. Das object des verbums ''kasta'' wird dann in der voraufgehenden zeile zu suchen sein. Es bleibt somit kaum eine andere combination möglish als diese: ''elds embla'' = 'femina' (vgl. ''eld-Gerðr'' und ''eld-Gefn''), ''valbasta askr'' = 'pugnator, vir' (wo ''valbǫst'' metaphorisch für schwert steht). Der sinn wird hiernach folgender: 'ich befreite die frau von dem krieger'." [[Falk, Hjalmar. Bemerkungen zu den Lausavísur der Egils saga]] (s. 365) </ref>

	Þeir Egill og Einar mæltu til vináttu með sér að skilnaði. Einar var löngum utanlendis með tignum mönnum. Einar var ör maður og oftast félítill en skörungur mikill og drengur góður. Hann var hirðmaður Hákonar jarls Sigurðarsonar.		Þeir Egill og Einar mæltu til vináttu með sér að skilnaði. Einar var löngum utanlendis með tignum mönnum. Einar var ör maður og oftast félítill en skörungur mikill og drengur góður. Hann var hirðmaður Hákonar jarls Sigurðarsonar.

Andri at 09:40, 4 August 2016

2016-08-04T09:40:07Z

← Older revision		Revision as of 09:40, 4 August 2016
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	My buckler now will bear.'<br>		My buckler now will bear.'<br>

	The earl did not wish Einar to go away; so he granted a hearing to the poem, and thereafter gave Einar a shield, which was a most costly work. It was inscribed with old tales; and between the writing were overlaid spangles of gold with precious stones set therein. Einar went to Iceland and lodged with his brother Osvif: but in autumn he rode east and came to Borg, and was guest there. Egil was just then not at home, having gone to the northern part of the district, but was expected home. Einar waited for him three nights: longer than three nights it was not the custom to stay on a friendly visit. Then Einar made him ready to go; but when ready he went to Egil's place in the hall, and there he hung up that precious shield, and told the house-carles that he left it a gift for Egil.<ref>'''left it a gift for Egil''': "The semiotic import of Einarr's gift is complex and works within binary thematic oppositions already established in the text of Egils saga. It represents an act of generosity on the part of a court poet, who is said to be often short of money, towards an older (and presumably, in Einarr's eyes, better) poet who is known to be miserly and unpredictable in his behaviour, as well as hostile to Norwegian royalty". [[Clunies Ross, Margaret. A Tale of Two Poets]] (p. 80).</ref> Then he rode away.		The earl did not wish Einar to go away; so he granted a hearing to the poem, and thereafter gave Einar a shield, which was a most costly work. It was inscribed with old tales;<ref>'''It was inscribed with old tales; ''': "Um þessar fornsögur er notað orðið „skriftir“. Er hugsanlegt að þessi frásögn eigi að þjóna örðum tilgangi en að skemmta lesandanum? Getur verið að höfundur sé að notfæra sér að orðið „skrift“ er tvíkennt og „gera ofljóst“ eins og Snorri sagði? Gæti hann verið að gefa til kynna að fornsögurnar, sem hann er búinn að vera að segja okkur, séu eins konar skriftir, þ.e. sagðar í eim tilgangi að bæta fyrir eitthvað? " [[Torfi H. Tulinius. Hvað er Egils saga?]] (p. 124).</ref> and between the writing were overlaid spangles of gold with precious stones set therein. Einar went to Iceland and lodged with his brother Osvif: but in autumn he rode east and came to Borg, and was guest there. Egil was just then not at home, having gone to the northern part of the district, but was expected home. Einar waited for him three nights: longer than three nights it was not the custom to stay on a friendly visit. Then Einar made him ready to go; but when ready he went to Egil's place in the hall, and there he hung up that precious shield, and told the house-carles that he left it a gift for Egil.<ref>'''left it a gift for Egil''': "The semiotic import of Einarr's gift is complex and works within binary thematic oppositions already established in the text of Egils saga. It represents an act of generosity on the part of a court poet, who is said to be often short of money, towards an older (and presumably, in Einarr's eyes, better) poet who is known to be miserly and unpredictable in his behaviour, as well as hostile to Norwegian royalty". [[Clunies Ross, Margaret. A Tale of Two Poets]] (p. 80).</ref> Then he rode away.

	But on that same day Egil came home. And when he came in to his place, then he saw the shield, and asked whose was that costly work. It was told him that Einar Skala-glam had come there, and had left the shield as a gift for him. Then said Egil: 'The wretched man, to give it! He means that I should bide awake and compose poetry about his shield. Now, bring my horse. I must ride after him and slay him.' He was told that Einar had ridden away early in the morning. 'He will,' they said, 'by this be come westwards to the dales.' Soon after Egil composed a poem, whereof this is the beginning:		But on that same day Egil came home. And when he came in to his place, then he saw the shield, and asked whose was that costly work. It was told him that Einar Skala-glam had come there, and had left the shield as a gift for him. Then said Egil: 'The wretched man, to give it! He means that I should bide awake and compose poetry about his shield. Now, bring my horse. I must ride after him and slay him.' He was told that Einar had ridden away early in the morning. 'He will,' they said, 'by this be come westwards to the dales.' Soon after Egil composed a poem, whereof this is the beginning:
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	Endils, við mér hendi. <br>		Endils, við mér hendi. <br>

	Jarlinn vildi eigi að Einar færi á brott og hlýddi þá kvæðinu og síðan gaf hann Einari skjöld og var hann hin mesta gersemi. Hann var skrifaður fornsögum en allt milli skriftanna voru lagðar yfir spengur af gulli og settur steinum. Einar fór til Íslands og til vistar með Ósvífi bróður sínum.		Jarlinn vildi eigi að Einar færi á brott og hlýddi þá kvæðinu og síðan gaf hann Einari skjöld og var hann hin mesta gersemi. Hann var skrifaður fornsögum<ref>'''Hann var skrifaður fornsögum ''': "Um þessar fornsögur er notað orðið „skriftir“. Er hugsanlegt að þessi frásögn eigi að þjóna örðum tilgangi en að skemmta lesandanum? Getur verið að höfundur sé að notfæra sér að orðið „skrift“ er tvíkennt og „gera ofljóst“ eins og Snorri sagði? Gæti hann verið að gefa til kynna að fornsögurnar, sem hann er búinn að vera að segja okkur, séu eins konar skriftir, þ.e. sagðar í eim tilgangi að bæta fyrir eitthvað? " [[Torfi H. Tulinius. Hvað er Egils saga?]] (s. 124).</ref> en allt milli skriftanna voru lagðar yfir spengur af gulli og settur steinum. Einar fór til Íslands og til vistar með Ósvífi bróður sínum.

	En um haustið reið Einar vestan og kom til Borgar og gisti þar. Egill var þá eigi heima og var hann farinn norður til héraða og var hans þá heim von. Einar beið hans þrjár nætur en það var engi siður að sitja lengur en þrjár nætur að kynni. Bjóst Einar þá í brott. Og er hann var búinn þá gekk hann til rúms Egils og festi þar upp skjöldinn þann hinn dýra og sagði heimamönnum að hann gaf Agli skjöldinn.<ref>'''gaf Agli skjöldinn''': "The semiotic import of Einarr's gift is complex and works within binary thematic oppositions already established in the text of Egils saga. It represents an act of generosity on the part of a court poet, who is said to be often short of money, towards an older (and presumably, in Einarr's eyes, better) poet who is known to be miserly and unpredictable in his behaviour, as well as hostile to Norwegian royalty." [[Clunies Ross, Margaret. A Tale of Two Poets]] (s. 80).</ref>		En um haustið reið Einar vestan og kom til Borgar og gisti þar. Egill var þá eigi heima og var hann farinn norður til héraða og var hans þá heim von. Einar beið hans þrjár nætur en það var engi siður að sitja lengur en þrjár nætur að kynni. Bjóst Einar þá í brott. Og er hann var búinn þá gekk hann til rúms Egils og festi þar upp skjöldinn þann hinn dýra og sagði heimamönnum að hann gaf Agli skjöldinn.<ref>'''gaf Agli skjöldinn''': "The semiotic import of Einarr's gift is complex and works within binary thematic oppositions already established in the text of Egils saga. It represents an act of generosity on the part of a court poet, who is said to be often short of money, towards an older (and presumably, in Einarr's eyes, better) poet who is known to be miserly and unpredictable in his behaviour, as well as hostile to Norwegian royalty." [[Clunies Ross, Margaret. A Tale of Two Poets]] (s. 80).</ref>

Ermenegilda: /* Kafli 81 */

2016-07-07T11:18:58Z

Kafli 81

← Older revision		Revision as of 11:18, 7 July 2016
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	háfjöll digulsnjávi <br>		háfjöll digulsnjávi <br>
	jarðar gjörð við orðum <br>		jarðar gjörð við orðum <br>
	eyneglda mér hegldu.<ref>'''hegldu'': "Die Strophe ist ein Beleg dafür, dass sich das poetische Vermögen in der skaldischen Dichtung hauptsächlich in der Fähigkeit aüssert, die traditionelle Umschreibungen zu einem Bilde zu vereinigen." [[Detter, Ferdinand. Die Lausavísur der Egilssaga]] (s. 23).</ref><br>		eyneglda mér hegldu.<br>

	Einar Helgason skáld var kallaður skálaglamm. Hann orti drápu um Hákon jarl er kölluð er Vellekla og var það mjög lengi að jarlinn vildi eigi hlýða kvæðinu því að hann var reiður Einari. Þá kvað Einar:		Einar Helgason skáld var kallaður skálaglamm. Hann orti drápu um Hákon jarl er kölluð er Vellekla og var það mjög lengi að jarlinn vildi eigi hlýða kvæðinu því að hann var reiður Einari. Þá kvað Einar:

Ermenegilda: /* Chapter 81 */

2016-07-07T11:18:39Z

Chapter 81

← Older revision		Revision as of 11:18, 7 July 2016
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	Earth's islet-studded belt,<br>		Earth's islet-studded belt,<br>
	Such on my high hawk-perch<br>		Such on my high hawk-perch<br>
	Hailed down the silver shower.'<ref>'''shower''': "Die Strophe ist ein Beleg dafür, dass sich das poetische Vermögen in der skaldischen Dichtung hauptsächlich in der Fähigkeit aüssert, die traditionelle Umschreibungen zu einem Bilde zu vereinigen." [[Detter, Ferdinand. Die Lausavísur der Egilssaga]] (p. 23).</ref><br>		Hailed down the silver shower.'<br>

	Einar Helgi's son the poet was nicknamed Skala-glam. He composed a poem about earl Hacon, which is called 'Dearth of Gold'; and for a long time the earl would not hear the poem because he was wroth with Einar. Then Einar sang:		Einar Helgi's son the poet was nicknamed Skala-glam. He composed a poem about earl Hacon, which is called 'Dearth of Gold'; and for a long time the earl would not hear the poem because he was wroth with Einar. Then Einar sang:

Ermenegilda: /* Kafli 81 */

2016-07-05T17:24:44Z

Kafli 81

← Older revision		Revision as of 17:24, 5 July 2016
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	háfjöll digulsnjávi <br>		háfjöll digulsnjávi <br>
	jarðar gjörð við orðum <br>		jarðar gjörð við orðum <br>
	eyneglda mér hegldu. <br>		eyneglda mér hegldu.<ref>'''hegldu'': "Die Strophe ist ein Beleg dafür, dass sich das poetische Vermögen in der skaldischen Dichtung hauptsächlich in der Fähigkeit aüssert, die traditionelle Umschreibungen zu einem Bilde zu vereinigen." [[Detter, Ferdinand. Die Lausavísur der Egilssaga]] (s. 23).</ref><br>

	Einar Helgason skáld var kallaður skálaglamm. Hann orti drápu um Hákon jarl er kölluð er Vellekla og var það mjög lengi að jarlinn vildi eigi hlýða kvæðinu því að hann var reiður Einari. Þá kvað Einar:		Einar Helgason skáld var kallaður skálaglamm. Hann orti drápu um Hákon jarl er kölluð er Vellekla og var það mjög lengi að jarlinn vildi eigi hlýða kvæðinu því að hann var reiður Einari. Þá kvað Einar:

Ermenegilda: /* Chapter 81 */

2016-07-05T17:23:43Z

Chapter 81

← Older revision		Revision as of 17:23, 5 July 2016
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	Earth's islet-studded belt,<br>		Earth's islet-studded belt,<br>
	Such on my high hawk-perch<br>		Such on my high hawk-perch<br>
	Hailed down the silver shower.'<br>		Hailed down the silver shower.'<ref>'''shower''': "Die Strophe ist ein Beleg dafür, dass sich das poetische Vermögen in der skaldischen Dichtung hauptsächlich in der Fähigkeit aüssert, die traditionelle Umschreibungen zu einem Bilde zu vereinigen." [[Detter, Ferdinand. Die Lausavísur der Egilssaga]] (p. 23).</ref><br>

	Einar Helgi's son the poet was nicknamed Skala-glam. He composed a poem about earl Hacon, which is called 'Dearth of Gold'; and for a long time the earl would not hear the poem because he was wroth with Einar. Then Einar sang:		Einar Helgi's son the poet was nicknamed Skala-glam. He composed a poem about earl Hacon, which is called 'Dearth of Gold'; and for a long time the earl would not hear the poem because he was wroth with Einar. Then Einar sang: