Andersson, Theodore M.. The Icelandic Family Saga: Difference between revisions

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==Annotation==  
==Annotation==  
Andersson’s tripartite (synopsis-outline-comment) analysis of 24 Icelandic Family Sagas, the formal, theoretical function of which seeks ‘to convey as clearly as possible the content of the sagas’ (p. 96). In relation to Egils saga, Andersson examines the compositional structure of the saga’s narrative, proposing two event-chronologies that separate and bridge its two major conflict narratives (King Haraldr Hárfagri (Fairhair) - Thórólfr, Egill Skallagrímsson - Eirik Bloodaxe); each of which, by and large, adhere structurally to the following six-part schema: introduction, conflict, climax, revenge, reconciliation and aftermath. On the basis of this model, Andersson claims, ‘Egils saga is perfectly clear in its composition. The only innovation…is a departure from the one-climax principle in favour of a dual structure with two climaxes, Thórólfr’s death and Egill’s break with Erik’ (p. 109).
==Lýsing==
==Lýsing==


==See also==
==See also==
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==Links==
==Links==


* ''Written by:''   
* ''Written by:'' Martin McNally  
* ''Icelandic/English translation:''  
* ''Icelandic/English translation:''  


[[Category:Egils saga]][[Category:Egils saga:_Articles]][[Category:Authors]][[Category:All entries]]
[[Category:Egils saga]][[Category:Egils saga:_Articles]][[Category:Authors]][[Category:All entries]]

Revision as of 02:15, 15 November 2015

  • Author: Andersson, Theodore M.
  • Title: Chapter ??
  • Published in: The Icelandic Family Saga. An Analytic Reading
  • Place, Publisher: Cambridge, MA: Harvard University Press
  • Year: 1967
  • Pages: 97–110
  • E-text:
  • Reference: Andersson, Theodore M. The Icelandic Family Saga. An Analytic Reading, pp. 97–110. Cambridge, MA: Harvard University Press, 1967.

  • Key words:


Annotation

Andersson’s tripartite (synopsis-outline-comment) analysis of 24 Icelandic Family Sagas, the formal, theoretical function of which seeks ‘to convey as clearly as possible the content of the sagas’ (p. 96). In relation to Egils saga, Andersson examines the compositional structure of the saga’s narrative, proposing two event-chronologies that separate and bridge its two major conflict narratives (King Haraldr Hárfagri (Fairhair) - Thórólfr, Egill Skallagrímsson - Eirik Bloodaxe); each of which, by and large, adhere structurally to the following six-part schema: introduction, conflict, climax, revenge, reconciliation and aftermath. On the basis of this model, Andersson claims, ‘Egils saga is perfectly clear in its composition. The only innovation…is a departure from the one-climax principle in favour of a dual structure with two climaxes, Thórólfr’s death and Egill’s break with Erik’ (p. 109).

Lýsing

See also

References


Links

  • Written by: Martin McNally
  • Icelandic/English translation: