Allen, Richard F.. Elements in Njáls saga: Difference between revisions

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==Annotation==  
==Annotation==  
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Allen argues that events in Njáls saga follow stereotyped patterns, and that the saga is made up of stock motifs and scenes. Characters behave in a scripted, formulaic fashion in a variety of scenes including battle, involvement in the legal process, when greeting and welcoming, bride-bartering, and feasting, functioning at literary levels ranging from figurative statements to episodes to archetypal plot themes. The interplay between characters in these patterns is then examined as a function of power in the saga, and the shaping of plot development by the tying together of motifs, scenes, and episodes into the saga’s plot is argued to serve as a means of creating overarching archetypal themes.
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==Links==
==Links==


* ''Written by:''   
* ''Written by:'' Eric Blue  
* ''Icelandic/English translation:''  
* ''Icelandic/English translation:''  


[[Category:Njáls saga]][[Category:Njáls saga:_Articles]][[Category:Authors]][[Category:All entries]]
[[Category:Njáls saga]][[Category:Njáls saga:_Articles]][[Category:Authors]][[Category:All entries]]

Latest revision as of 16:02, 8 June 2018

  • Author: Allen, Richard F.
  • Title: Elements in Njáls saga: Description, Theory, Application
  • Published in: Fire and Iron: Critical Approaches to Njáls saga
  • Place, Publisher: Pittsburgh: University of Pittsburgh Press
  • Year: 1971
  • Pages: 57-94
  • E-text:
  • Reference: Allen, Richard F.. "Elements in Njáls saga: Description, Theory, Application." Fire and Iron: Critical Approaches to Njáls saga. pp. 57-94. Pittsburgh: University of Pittsburgh Press, 1971.

  • Key words:


Annotation

Allen argues that events in Njáls saga follow stereotyped patterns, and that the saga is made up of stock motifs and scenes. Characters behave in a scripted, formulaic fashion in a variety of scenes including battle, involvement in the legal process, when greeting and welcoming, bride-bartering, and feasting, functioning at literary levels ranging from figurative statements to episodes to archetypal plot themes. The interplay between characters in these patterns is then examined as a function of power in the saga, and the shaping of plot development by the tying together of motifs, scenes, and episodes into the saga’s plot is argued to serve as a means of creating overarching archetypal themes.

Lýsing

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See also

References

Links

  • Written by: Eric Blue
  • Icelandic/English translation: