Andersson, Theodore. From News to Narrative: Escape Tales in Medieval Iceland: Difference between revisions

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==Annotation==  
==Annotation==  
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Andersson argues that the creation of fascinating heroic tales in medieval Iceland was often inspired by news arriving from abroad during the summer, while many newsworthy events were left susceptible to distortion and confabulation. He expands upon the protagonists’ stories from ''Gísla saga'', ''Grettis saga'', ''Morkinskinna'', ''Heimskringla'', ''Egils saga'', ''Heiðarvíga saga'', and ''Njáls saga''. The article explores sagas which have plotlines involving deception and/or strength to escape from enemies and imminent death. The narratives are often riddled with ‘an odd combination of coded history, legend, and fiction’. Andersson identifies three kinds of deception-escape tactics portrayed in the sagas and critically examines overlaps of eluding stratagems which protagonists across the sagas utilize to outwit their pursuers.
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==References==  
==References==  
 
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==Links==
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* ''Written by:''   
* ''Written by:'' Pablo Hulsz  
* ''Icelandic/English translation:''  
* ''Icelandic/English translation:''  


[[Category:Njáls saga]][[Category:Njáls saga:_Articles]][[Category:Authors]][[Category:All entries]]
[[Category:Njáls saga]][[Category:Njáls saga:_Articles]][[Category:Authors]][[Category:All entries]]

Latest revision as of 11:36, 5 September 2018

  • Author: Andersson, Theodore
  • Title: From News to Narrative: Escape Tales in Medieval Iceland
  • Published in: Scandinavian Studies 86/4
  • Year: 2014
  • Pages: 379-97
  • E-text: ProQuest
  • Reference: MLA

  • Key words:


Annotation

Andersson argues that the creation of fascinating heroic tales in medieval Iceland was often inspired by news arriving from abroad during the summer, while many newsworthy events were left susceptible to distortion and confabulation. He expands upon the protagonists’ stories from Gísla saga, Grettis saga, Morkinskinna, Heimskringla, Egils saga, Heiðarvíga saga, and Njáls saga. The article explores sagas which have plotlines involving deception and/or strength to escape from enemies and imminent death. The narratives are often riddled with ‘an odd combination of coded history, legend, and fiction’. Andersson identifies three kinds of deception-escape tactics portrayed in the sagas and critically examines overlaps of eluding stratagems which protagonists across the sagas utilize to outwit their pursuers.

Lýsing

Texta vantar


See also

References

?

Links

  • Written by: Pablo Hulsz
  • Icelandic/English translation: