Gutenbrunner, Siegfried. Skaldischer Vorfrühling des Minnessangs: Difference between revisions
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==Annotation== | ==Annotation== | ||
Gutenbrunner attempts to define the incidence of skaldic poems with love as a central theme on the development of the Middle High German ''Minnesang''. The liegeman or vassal role assumed by the presumed main authors in both genres leads him to hypothesize a causal link between the birth of skaldic love-poetry and the constitution of a court-like ''hird'' around Harald Fairhair, as well as a reciprocal influence between the court poets of Norway and the continent. In order to strengthen the web of parallels between the two cultures' approaches to love-poetry, he attempts to define the interactions between the Sigurðr poetic cycle and the ''Nibelungenlied'', but also the common topoi in eddic tradition and Middle High German love poetry. | |||
==Lýsing== | ==Lýsing== | ||
Revision as of 18:11, 11 July 2016
- Author: Gutenbrunner, Siegfried
- Title: Skaldischer Vorfrühling des Minnessangs
- Published in: Euphorion 49
- Place, Publisher: 1955
- Year: 1955
- Pages: 383-412
- E-text:
- Reference: Gutenbrunner, Siegfried. "Skaldischer Vorfrühling des Minnessangs." Euphorion 49 (1955): 383-412.
- Key words:
Annotation
Gutenbrunner attempts to define the incidence of skaldic poems with love as a central theme on the development of the Middle High German Minnesang. The liegeman or vassal role assumed by the presumed main authors in both genres leads him to hypothesize a causal link between the birth of skaldic love-poetry and the constitution of a court-like hird around Harald Fairhair, as well as a reciprocal influence between the court poets of Norway and the continent. In order to strengthen the web of parallels between the two cultures' approaches to love-poetry, he attempts to define the interactions between the Sigurðr poetic cycle and the Nibelungenlied, but also the common topoi in eddic tradition and Middle High German love poetry.
Lýsing
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- Icelandic/English translation:
