Torfi H. Tulinius. An Attempt at Application: Interpreting Egils saga

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  • Author: Torfi H. Tulinius
  • Title: An Attempt at Application: Interpreting Egils saga
  • Published in: Matter of the North. The Rise of Literary Fiction in Thirteenth Century Iceland. Transl. Randi C. Eldevik
  • Place, Publisher: Odense: Odense University Press
  • Year: 2002
  • Pages: 234-89
  • E-text:
  • Reference: Torfi H. Tulinius. "An Attempt at Application: Interpreting Egils saga." The Matter of the North. The Rise of Literary Fiction in Thirteenth Century Iceland. Transl. Randi C. Eldevik. Odense: Odense University Press, 2002, pp. 234-89.


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Annotation

Tulinius analyses Egil's Saga in three close readings, uncovering different layers of meaning and the complex structure of the text. In the first reading he discusses political issues addressed in the saga, such as dealings with royalty and land ownership. In the second he attempts to uncover underlying tensions in fraternal and filial relationships which lie at the heart of many of the saga‘s political conflicts, drawing paralels especially to Hervarar saga og Heiðreks. He then connects these topics to the social changes taking place in Iceland at the beginning of the 13th century. In his third and final reading, Tulinius argues in favour of Snorri Sturluson’s authorship of Egils saga, proposing a hypothesis that the saga may reflect traces of Snorri’s life experience and identity.

Lýsing

See also

  • Original French version in Torfi Tulinius. La "Matière du Nord": Sagas légendaires et fiction dans la littérature islandaise en prose du XIIIe siècle. Paris: Presses de l’Université de Paris-Sorbonne, 1995.

References

Chapter 49: ekki haustlangt ráð: "No matter what Þórólfr might think, the reader is tempted to surmise that Egill, tormented by jealousy, wanted to prevent Þórólfr from rejoining his wife" (p. 258).

Chapter 55: annarri upp í hárrætur: "In many ways this scene is reminiscent of the confrontation between Heiðrekr and Gestumblindi in Hervarar saga, and also of a scene in Grímnismál that was probably the prototype. The presence of fire, the face-to-face encounter between the kind and a newcomer, and the fact that Egill closes one eye as if in imitation of Óðinn, who occupies the role that Egill occupies in the two other episodes, can be viewed as allusions to these scenes, which, as we have seen, are both bound up with the motif of fratricide" (p. 255).

Chapter 61: vegur mikill herra:: "On the surface this is a diplomatic manoeuvre aimed at flattering the king, but while Egill is actually quite able to live with Eiríkr’s anger, it is perhaps harder for him to bear the anger of his deceased father. [...] Thus the confrontation with the king would symbolically be a confrontation with Skalla-Grímr" (p. 262).

Links

  • Written by: Zuzana Stankovitsóva
  • Icelandic translation: